Tag Archives: water

GOOD LUCK FISHING

 

                         Don’t pray for the rain to stop.
                         Pray for good luck fishing
                         when the river floods.

                                – Wendell Berry (“Prayers and Sayings of the Mad Farmer”)

And we will fish reflection pools
with Egrets and Great Blue Herons, wade
cloudy skies when the creek subsides

listening to the glorious chorus of tree frogs
croaking symphonies from fresh verdancy—
the canyon clean, all tracks erased

but for the moment to begin again.
What better luck can any god offer
a mad farmer, or mankind?

April 1968: my feet wet with fishing
the great white limbs of sycamores,
naked canopies reflected below me,

recording fresh soliloquies on war
that have not changed but for poetic
editing each time the creek rises—

hope still claims high water marks
beyond the creek bank, despite
clear-cut scars upon this landscape

after a decade’s invasion of machinery
from towns craving to become cities.
We pray yet for good luck fishing.

 

Rain

4:00 p.m., February 7, 2015

4:00 p.m., February 7, 2015

 

 

WPC(2) — “Scale”

 

ON THE SEMI-ARID EDGE

 

 

 

 

 

 

 

 

 

 

The big dogs are drilling deeper,
pumping the last of a million years
of underground water, each river

dammed into furrows to farm
the empty Laguna de Tache.
Sixty years ago, when red lights

stopped in every railroad town,
colorful cornucopias spilled
from billboards onto Highway 99

bragging fruit or vegetable capitals
of another world, and huge Big Oranges
squeezed juice every ten miles.

On the semi-arid edge of change,
we beg for rain and dream of floods
to take this Valley back in time.

 

                    *     *     *

 

1876 Tulare County Map

Wiki: Laguna de Tache, Tulare Lake

 

 

HIS HERONS

 

Easter 2014

Easter 2014

 

After rain in spring, I see my father
standing among a half-dozen others
atop fresh mounds of dirt, hear him

praise the Great Blue Heron as the best
‘gopher-getter around’. As the creek
warms, he glides up canyon early,

spends his days wading shallows,
coasting home in the gloaming.
Punctual, you could set your watch

by his circles to work each day,
depending on season and crop.
When it all mattered too much,

he’d slip up the road to check
the feed and fences, the condition
of my cows grazing with his herons.

 

LEARNING TO FLY

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Of all the spontaneous art, none
more trustworthy, more enthralling
than the wild mirrors—of heart

and grace without guilt pulsing
to get free, rising with the ascension
of ducks from cattails, clear droplets

raining from webbed feet etched
to hang on white cloud walls
to draws us in—and then, like

windows out to where we might
want to be—like poetry, learning
to fly with words a little at a time.

 

PILLOWED CLOUDS

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I used to think that inside the deep heart
of the world gone wild, that we all wanted,
craved, needed, or would acquiesce to,

                         a yet to be identified
                         common soul:
                         a ‘peace and love’ tranquility
                         where we all got along
                         with our dreams—

a musical, moaning chorus of ‘oohs’ and ‘ahs’
that kept us busy feeling fine as frog hair,
trying harder to make life better for everyone.

But how could heaven’s everlasting light
be so great without a dark side, without the moon
rising in new places dressed in different phases
behind the skeletons of oak and tops of pine?

                         Rain and storm for free.
                         Life from dust, the miracle
                         of green reaching up
                         to seed itself
                         against adversity

should be enough to brave the skullduggery
of all the power-hungry opportunists that slink
and lurk in the shadows. And what of poetry
rooted in the illusion of pillowed clouds?

 

Wordless Wednesday — Grass-Starved

 

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SABBATH HOME

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1.
After the flood of holiday cheer
and four black and frosty mornings
into the New Year, I have lost track
of the names of days

                        celebrating work:
                        friends gathered,
                        calves branded,
                        meat fired

                        and bottles emptied—
                        the hugs and handshakes
                        of neighbors, persistent
                        habits etched deeper

                        in the hard ground
                        worn around our eyes—
                        deeper yet into souls,
                        our pupils as pinholes

                        to grand landscapes
                        either side, missed
                        by the migratory headed
                        somewhere up the road.
 

2.
We live within a dot on the map,
a speck of dust on a spinning globe
in space and time without end,

holding firm to our moment,
looking back and ahead at once:
no finish line in sight.
 

3.
We pace our plodding, take all week
to get the work done, to savor details
of small accomplishment in a hazy

scheme of keeping track of seasons
shaped by rain, or lack of it—
our spiritual sustenance comes

with the crescendo of storms
we pray for, almost everyday, keeping
busy while we wait for an answer.
 

4.
In the winter, we invest in the future
measured by firewood stacked outside
the door, like last year’s crop of acorns
stored by natives, wild and domestic,

we are prepared in this place
to loose track of days scattered
like native cattle into strays
chasing the good grass back home.

 

ADIOS TWO-FOURTEEN

 

If it is Apollo’s steeds chomping at silver bits
I hear behind the ridge, eager to tow the sun,
bring the light like any other day, the future

to this cold, dark canyon—the last of the old load
of days to be dropped off before the New Year—
I’m ready early, hacking my last goodbyes

on paper, screening blessings from the dust
and drought behind me, I trust, having measured-up
to something I can’t see, head bowed, dragging

my feet in yesterday. We must lean into our collars,
move the wheel into new country, scatter virtue
like vigorous seed and hope for a bumper crop.

 

CEREMONY

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Blue Oak rounds too big for the woodstove
collect near the splitter in a pile—energy
stored in rings of sun, years of rain—
the severed dead, hard and dry inside.

We look ahead to ceremony, prepare
as we go, set aside the burls and forks,
too twisted to split, for the outside fire
and generations of flickering faces.

I see my mother in my grand-daughter’s
eyes, leave us for a moment for the flames
lapping the remains of a stump—the call
from beyond that burns within us all—

she is drawn away. It is the coming back
to her mother’s lap, her bemused recognition
of going somewhere within white coals
beyond this half-circle of family

that I see my mother in her face
while the meat cooks. We talk, lift glasses
in the smoke that swirls undecidedly
around us, just out of reach of the flames.

Early tracks upon the morning frost,
someone will rise to stir the embers,
to rekindle conversation from cold night
hoping to keep the celebration alive.

 

 

WPC(2) — “Warmth”