Monthly Archives: September 2011

                    Don’t own so much clutter that you will be relieved to see
                    your house catch fire.
                                   – Wendell Berry (“Prayers and Sayings of the Mad Farmer”)

One would think with age that utility
might parallel the flesh, lend assistance
with our last breath, yet the old barn bulges

with the past leaking through the bats
and boards of weathered one-by-twelves,
tin roof rusty, wind-turned at the edges.

Beyond the locked green doors, silver veil
of cobwebs, trunks in dark corners, scurry
of black widows saved for this moment

passed from before we were born.
We see what they could not burn—
the weakness of heart and the clutter

cleared from their minds as relinquished
totems of another time. We come to know
our blood, cling to tokens of who we are.

                                 Let me wake in the night
                                 and hear it raining
                                 and go back to sleep.
                                       – Wendell Berry (“Prayers and Sayings of the Mad Farmer”)

Upon the roof and off the eave:
cascades to soothe a dream
when no urgency awaits,

when earthly strategies step aside
and praise what man cannot create—
let me sleep so soundly!

Let me trust the land endures
man’s ambitions to claim
a holiday for its creatures,

as earth and sky make love
a priority of life. O’ musty
scent of after-rain, let me

wake to freely sail among
white cumulus in the grand
regatta of blue sky seas.

                    He is the one who breaks down the walls
                    and when he works, he works in silence.
                               – Rainer Maria Rilke (“Das Stundenbuch”)

The mortar crumbles between old stones
bright lichen claims with color, little islands
of fire burning within long shadows of fall.

Even in Eden, a white flag meant nothing
at all. Outside, the persistent grin and wait
with infinite patience, move their troops

at every opportunity to surround and incorporate
our certain fate. I may disguise my flesh
or burn holes in darkness, temporarily—fool

the truth for a moment—but I surrender now
and swear profane allegiance to the king
of all things, drawn most, however,

to his amusing ladies, just waiting
to sing and dance around the fire, to celebrate
the wild beyond our fortresses and fears.

*              *              *              *              *              *              *

Rainer Maria Rilke

DAS STUNDENBUCH (The Book of Hours)
                    translated by Robert Bly

All of you undisturbed cities,
haven’t you ever longed for the Enemy?
I would like to see you besieged by him
for ten endless and groundshaking years

Until you were desperate and mad in suffering
finally, in hunger, you would feel his weight
He lies outside the walls like the countryside
He knows very well how to endure
longer than those he comes to visit

Climb up on your roofs and look out:
his camp is there. His morale will not falter
His number will not decrease, he will not weaken
He sends no one into the city to threaten
or promise and no one to negotiate

He is the one who breaks down the walls
and when he works, he works in silence.

Every day begins in the dark,
while horses wait for a sign
of movement, another awakening

to fluffy alfalfa, or the sound
of diesel arriving, the augur
of aluminum heartbeats under saddle,

under hooves of nervous and eager
friends dancing in a gooseneck drum.
Certain things become ingrained

in the psyche, incorporated
conclusions that make us shy
and hard to halter, but we

will give-in, sign and notarize
another day’s dark beginnings
on this common ground.

Each day, the trail is the same—
imperfect circles cut in dry grass,
worn into soft dust that holds

yesterday’s track, exposing rock,
stones and boulders on the move,
broken loose from the whole.

Atop my own, pad and hoof
shine like last night’s coyote
under a full moon, on the trot

from canyon to draw, and the heifer
determined to calve in private
breaking away from the bunch

to hesitate mid-way, turning
over herself before going on
to a place she remembers as safe.

The trail is the same—even
at the gate where a covey of quail
will erase where I’ve gone today.