Monthly Archives: April 2015

CLICHÉS

 

The clichés rained
when I was young
like hollow outlines

I was destined to fill
with real details—
sayings tested with

practice dodging
bullets with agility
and dumb luck

to get old enough
to speak at funerals
of a few good friends

who rode with me,
or saw it all
from a distance:

no straight track
ricocheting minefields
heavily invested

in the senses. But
no longer hackneyed
hints for youth,

they become fresh,
reborn with answers
at our fingertips.

 

Roadrunner Babies

 

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We found the Roadrunners’ nest on March 29th and have known the eggs had hatched for a couple of weeks, but the chicks have been too small to photograph until now. In the cactus along the driveway, I caught the pair off the nest this morning.

 

 

WPC: THE DANCE

 

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In the branding pen,
the steady dance of old hands
celebrating spring.

 

 

Weekly Photo Challenge: Motion

 

GOOD RAIN

 

Dry grasses, weeds and wildflower leaves
turned brittle, blond and hollow-stemmed,
past help or hoping for a storm as we,

when the sky went gray for days: clouds
stacked, thunder clapped in the backcountry,
spilling little drops erasing tracks in dust

with damp, new air to breathe. Every creature
prayed—out of habit more than necessity,
to all our different gods—a great wanting

on the breeze, just to see it rain. Like true
love at the core of things, it came in sheets
of ecstasy—that full feeling of feeling good.

 

THORNY ORNAMENTS

 
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Christmas in April,
Wild Cucumber on a dead
Manzanita tree.

 

Echinopsis Oxygona

 

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A one-day bloom
as the hills turn brown again
around Mother’s Day.

 

 

Work of Art

 

NEW FRONTIERS

 

We are farming just beyond
your city’s limits to sustain growth
by building houses, irrigating fields

to feed you. We are drilling deeper
wells all around your sufficient
neighborhood mapped on asphalt.

Either side of the fuzzy border,
we get old, get tired of adapting
to mistakes—unlike bugs, we live

too long to develop genetics
our children’s children will need
in an unimaginable future.

History will say our families farmed
the San Joaquin for 200 years
before running out of water

fifty years from now—our thin dust
upon dry layers of earth stacked above
a depleting Pleistocene sea.

 

RAILROAD TOWNS

 

A fluttering of other lives
busy nesting out of reach—
dry thatches stashed on beams

under eaves like apartments
with squabbling, feathers floating,
on and on—as we lumber

beneath them, intertwined.
Crows claim the tops
of power poles on 65

through rolling hills of oats,
stacks of sticks close to roadkill—
adapting quickly to our urgencies,

to these forgotten outposts
of railroad towns
growing closer together.

 

WATER & ELECTRICITY

 

Innocent enough: the service pole
holding two hundred and twenty volts
above the ground to the house,
end of the line for electric power
and all its surges, to be replaced
by men and three huge trucks
with hydraulic arms and augers.
That’s how comedies begin
in backyard pastures too dry to irrigate,
visits by servicemen scouting work orders,
asking if the dog bites: “Sometimes.”
The faucet crushed beneath a tire
while we were gone to Bakersfield
trading goosenecks before we wean—
the white geyser and phone call
asking where to turn the water off:
“The pump.” On, after an easy faucet fix
at dusk, but no water to the house,
you found the gate valve stripped,
one last twist that did not quell
the fountain wasting in a drought
with the gopher snake they killed.
Innocence, fear, the tracks were clear.
We cut and plumbed another gate valve,
used once and saved like farmers do,
you and I and the mosquitoes
on our bellies in the mud with wrenches
after the inch-and-a-half Dayton blew
three times under pressure. Face-to-face,
a wrench apiece, the coupler between us
the fourth time tightened to hold
forever in my mind, our wet and muddy
partnership, laughing: “Welcome home.”

 

AFTER AWHILE

 

                        You others, we the very old have a country.
                        A passport costs everything there is.

                              – William Stafford (“Waiting in Line”)

Circles mapped to save steps on sure ground,
well-worn routine from barn to mangers,
feed and irrigate with the right tools

to mend our presence along the way—few
loose pages nowadays, at the ready—gathers
to brand and wean replayed, filed by pasture.

I remember the old dogs refreshing scent posts
in the last of the light before they slept
into forever, and all the old horses in the dark

nosing buckets trying to bring the sun—
and my father’s careful words, after awhile,
you have to get used to not being first in line.