Tag Archives: poetry

THAT’S HOME

 

Sulphur Peak - March 3, 2015

Sulphur Peak – March 3, 2015

 

For most who don’t know, my family purchased the Greasy Creek Ranch from Earl McKee, mentor, surrogate father and good friend for nearly fifty years, where Robbin and I run our cows and calves. Upon seeing the photo of the two bull calves that escaped a simple gather to the corrals for branding, he was moved to write the following poem:

 

                               My mind recalls this precious glade
                      Where these two youngsters lived and played,
                          And like years ago their ears would hear,
                         The trumpeting wails of their fathers near.

                                That trail close by, I long have trod,
                        On a favorite horse, these hands have shod,
                       We both know the song that the Robins sing,
                 And the sounds of the cattle, where the cowbells ring.

                       Where the blooming Chaparral smells so fair
                            And the scent of wild flowers fills the air.
                      Who wouldn’t come back to this peaceful place,
                             To see Sulphur Mountain’s Majestic face?

                                I too, wish I could return once more,
                           To what these two calves, were longing for,
                           God planned for this place to be left alone,
                      And like them, I will always say, “That’s Home”.

                                                E. A. M. — 3/13/2015

 

RAISONS D’ÊTRE

 

                                       Now in the quiet I stand
                                       and look at her a long time, glad
                                       to have recovered what is lost
                                       in the exchange of something for money.

                                            – Wendell Berry (“The Sorrel Filly”)

Looming closer, a swirling darkness just beyond
the thought of summer’s water that is not
frozen deep in the Sierras to feed our rivers

and canyon leaks—of brittle fall and cattle
gathered at an empty trough. The creek dries back
and sinks in March, lifted to new canopies

of sycamores dressing. Skeletons of old oaks
stand out between greening survivors, some
wearing only clumps of yellow mistletoe

hanging like reasons, raisons—like raisins
clinging to a leafless vine. Each season
spins the same dry song, yet we find our place,

harmonize and sing along, lifted like precious
moisture to tender leaves, a basic ascension not
available in the big box stores, unrecorded

in the history of our presence. This may be
the new normal for old people—that daze
of amazement we have been working towards.

 

AFTERWARDS

 

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Two centuries of women
gone beyond
healing and grinding,
needing shade
away from men—

dead Live Oak place
to roost for years,
our pair of crows
make familiar
flutters of love
balanced on a branch,
know one another’s
every feather,
preen and quiver
with how it feels
into the gloaming
afterwards.

 

NOT YET SPRING, 2015

 

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Leftover cedar
logs from the house
twenty-five years ago
                                          paid for
frame a loamy mix
of decomposing granite and clay
            with horse manure
            stirred and piled
            fine as sand
            three years fluffed
            with the skid steer
and fill what could be
a feeder along the fence—
a sixty-foot trough
for bare root raspberries
blackberries
border of red onions
come summer
and it not yet spring.

Like finches building nests
we enlarge the garden
in two half-days,
tend to instincts
warm air brings
and flesh demands
like plowing fingers
in fresh-worked dirt.

We lift another glass
and see colored fruit
years from here
                                          paid-for.

 

 

WPC — “Wall”

 

LAYERS OF DIRT

 

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This ground recovers our presence
with leaves and weeds, most all
of our mistakes erode with flowers,
explode with colors leaving seed

as accomplishment sags like ridgelines
of old barns and brittle wire between
broken posts as we sink satisfied
into the soil rich with the work

of hands. Calloused hands, hands
a horseback that track our thoughts
when we were green and learning
to see and think the hard way.

As we breathe, all the chiseled chins
of the rough and gruff retreat
to live as monuments in rock piles
with the honesty of rattlesnakes—

an immortality stirred into the earth
that can’t be purchased, but is always
upon always like the layers of dirt
our future depends, rooted within.

 

TIME TO LOVE

 

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                                                                                                    Gail Steiger

 

Two months from Elko
busy branding calves,
begging for rain and grass,

we listen under an empty
overcast to “A Matter
of Believin’” as if Gail

were here with 100 years
of ranching lessons
in poetry and song.

South slopes all but done,
thin feed gray on clay
showing again,

it’s time to love
this short spring
wrapped in wildflowers

with our old friend
and glass of wine—
the whole show

mostly behind us now,
we indulge ourselves,
embrace the storms

of good fortune
we have worn well—
believing and trusting,

adapting like cattle
to these same hills
just harvesting grass.

 

PLACE

 

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Close to coffee and cigarette,
I could be anywhere—
my tiny light lost
in night’s black sea.

Come dawn, she takes shape
to locate me beneath her
supine silhouette of ridges
rising, breathing like always.

 

BULLSEYE

 

Sierra Shooting Star (Dodecatheon jeffreyi) – March 3, 2015

Sierra Shooting Star (Dodecatheon jeffreyi) – March 3, 2015

 

Somewhere it’s raining
lavender stars in my dreams
awaiting impact.

 

 

TIME CHANGE

 

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Early yet in an early spring,
growing patches, orange-gold,
claim open slopes like flames,

Fiddleneck between gray skeletons
of Blue Oaks pushing bud,
feathery translucent leaves

where the gods walk ridges,
wave hands to paint,
adding color to hillside green

we’ve not seen tall in years.
Out of dust and naked dirt,
new mosaics, lush with moments,

openings for everything put off
in drouth—real work we absorb,
take our sweet time to recognize.

 

 

WPC(2) — “Orange”

 

NARANJA

 

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Beginning to end,
tender loins and fruit on fire
finding Nirvana.

 

 

WPC(1) — “Orange”