Tag Archives: poetry

EARLY SPRING

Goldfields - February 16, 2015

Goldfields – February 16, 2015

 

Warm hillsides melting
the Ides of February
in puddles of gold.

 

 

WPC(4) — “Symmetry”

 

BARBED WIRE

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Of all the necessary evils strung
across the West, mile after mile
glistening either side of every highway,

every rail, keeping cattle in and people
out: lines of wire and sentry posts
standing between a disastrous mix

of urgencies, a clash of cultures:
the timeless calm of open space
invaded and escaped at seventy.

The better ground fenced between
Frost’s good neighbors, cross-hatched
into managed pastures cowmen dream

will optimize the grass, the grazing—
and of course the breeding: a tangled
trail of testosterone enraged to war,

a crash of skulls, two tons of bellowing
bulls colliding in a storm unwinding
borders for as far as they can.

Most cowboys despise fixing fence—
ride around the long step down
to keep the evil stuff up.

 

 

WPC(3) — “Symmetry”

 

CORRALS

 

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Our square creations
become places for the wild
to relax and roost.

 

 

WPC(2) — “Symmetry”

 

SYMMETRY

 

May 18, 2014

May 18, 2014

 

A crop of fat calves
just weaned from relieved mothers
like peas in a pod.

 

 

WPC(1) — “Symmetry”

OLD NEIGHBORS

 

                        By the excellence of his work the workman is a neighbor.
                        By selling only what he would not despise to own
                        the salesman is a neighbor. By selling what is good
                        his character survives the market.

                              – Wendell Berry (“Prayers and Sayings of the Mad Farmer”)

We wish success for all our neighbors, fat
calves and money enough to buy good bulls
looking for work on our side of the fence,
and ours on theirs, despite best intentions.

Today, old neighbors come to help brand calves
with respect—rope, stretch and vaccinate
rambunctious children to a slow waltz—
to share the bounty of our heritage

despite the drought, despite the cows
we had to sell to save the others
and ourselves. Character upon this ground,
we have survived weather and the market.

 

METAL ROOFS

 

                        Let me wake in the night
                        and hear it raining
                        and go back to sleep.

                              – Wendell Berry (“Prayers and Sayings of the Mad Farmer”)

The lullaby that soothes my brain,
a metal roof under rain, proof
of gods and goddesses on the job

while I rest completely—let night
take me unafraid anywhere it wants
until the glistening of puddled mornings

blind me with glimpses of paradise
upon this earth, wet and wanting
nothing more from rustic religions.

Every church should acoustically angle
its spires and ridgelines to accentuate
these heaven’s gifts—and to withstand

retribution’s thunderous roar while
renting and gnashing huddle beneath
the storms that flood the rivers muddy.

We are not the architects, nor the nomads
chasing rain from place to place with herds
anymore. We pray instead for basic

sustenance to run upon and off our roofs,
season after season—no two the same—
to wake in the night and hear it raining.

 

GOOD LUCK FISHING

 

                         Don’t pray for the rain to stop.
                         Pray for good luck fishing
                         when the river floods.

                                – Wendell Berry (“Prayers and Sayings of the Mad Farmer”)

And we will fish reflection pools
with Egrets and Great Blue Herons, wade
cloudy skies when the creek subsides

listening to the glorious chorus of tree frogs
croaking symphonies from fresh verdancy—
the canyon clean, all tracks erased

but for the moment to begin again.
What better luck can any god offer
a mad farmer, or mankind?

April 1968: my feet wet with fishing
the great white limbs of sycamores,
naked canopies reflected below me,

recording fresh soliloquies on war
that have not changed but for poetic
editing each time the creek rises—

hope still claims high water marks
beyond the creek bank, despite
clear-cut scars upon this landscape

after a decade’s invasion of machinery
from towns craving to become cities.
We pray yet for good luck fishing.

 

AFTER RAIN

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Sun sets on the sighs
that cling to wet hills grinning
color into clouds.

 

 

WPC(3) — “Scale”

 

OF GODS AND GODDESSES

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In her nearly ninety years,
Nora Montgomery couldn’t remember
hillsides as solid with poppies

as the golden spring of 1978
after two years drought,
cows calving in dust.

Slopes alive, fences leaked
lovers and photographers
from all over—

a glorious reward
for enduring a dry nightmare
early in my career,

the foundation
of a young man’s confidence,
the religion he lived by.

 

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WAITING TO BLOOM

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In the darkness, I listen to a light strum
upon the roof, visualize the size
of raindrops, calculate the hours

necessary to quench the earth’s thirst
for a week or two before going back
to dream of hillsides too wet to climb,

cattle fat come May – nothing I can do,
but hope and pray for some release.
Sucked dry, we still hold on to a chance

for a verdant spring, grass bellyhigh
and sprinkled with wild colors
from all the old seeds waiting to bloom.