Tag Archives: poetry

BOVINE POETRY

 

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The bulls are out among the cows
claiming territory high on ridges,
testing misty air with muffled bellows,
testing fences and plans on paper,
as usual—we respect their wishes,
broker treaties where we can
to get cows bred for next year.

Everybody wants the same thing:
full bellies, sex and freedom
without too much work or trouble.
Last week’s virgin bulls have slowed
to moan, learned names and calculate
grazing circles in open space to make
love richer with rhyme and assonance—

write the kind of lyrics fit for music
that brings herds closer as families
traveling together, saving energy
and time where tranquil matters more
than bragging rights or twisted politics
keeping pundits fully-employed
with slogans selling most everything.

 

HOME AFTER RAIN

 

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The cleaning lady
came to sweep the dust away
finally with rain.

 

ANYMORE

 

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Too few days of rain to save for,
                                                          anymore:
the special jobs on the list of extras
when too wet to get to anywhere
off the road and you choose jelly
while it pours. The pomegranate tree
I pruned too much bore fruit
with volunteers now big enough
to finish filling gallon jugs with crimson
juice pressed from a jillion seeds
and saved in the freezer, now thawed
waits for sugar and that special
pectin brought to a boil to fill these jars
of translucence sealed to give away
to family and friends for Christmas.
Who saves these things for rainy days?

                                                     for Robbin

 

FIRST WINTER STORM, 2016

 

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Wind bangs against the mountains,
cold on warm rips and tears
cracks in air as crooked fingers
touch the ground with ‘lectric
yellow light to spark a roar
upon the metal roof in panting
pulses beneath soft gray
as if the gods were making love
in a bass drum, small canyon room
upstairs spawning muddy rivulets
towards a dry creek bed between
wet sycamores undressing
long white limbs suggestively
spilling November tans and browns
upon the green to stand naked
before an eager flow gathering
rafts of clothes upstream—

or as angry as the 60s
marching to make love
instead of war, or vice versa—

or with the best intentions
for all we’ve done today,
come to wash the dirty laundry,
our tracks and waste away.

 

 

1.81″ @ 7:30 a.m.

OUTCAST

 

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                                        Goodbye to this house and all its memories
                                        We just got too old to say we’re wrong.

                                             – Tom Rush (“Child’s Song”)

I follow your poem
to Google all the Tom Rush songs
my unaccompanied tongue could imitate—
turned gravelly since that 60s feeling
like an LA outcast, like an Indian
forced to die in a bluecoat army.

                    Nothing noble in Dakota,
                    the booms and busts
                    from Deadwood to the Bakken
                    claptrap towns on ground
                    that holds the gold
                    and light sweet crude—
                                        that make a man
                                        just want to run.

I gravitate towards native poetry,
mostly half-breeds now with hybrid-vigor,
steal the epigraph you borrowed
to seal the dreams we had in the bad times,
the loves and lust we clung to knowing
they were too good to last.

                                        after “Corrective Interlude” by Adrian Louis

 

 

“Child’s Song”

 

AFTER THANKSGIVING

 

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I stumble out of an old dream panicked
about cattle I haven’t checked in months
on a hidden ranch I can’t place, connect
except they were not grazing vineyard rows
with no fences, not loose in town this time,
but on some hard-to-gather rolling ground
you can’t see from the pocked asphalt road
snaking through blond summer foothills.

Last time, they were OK, bull calves
too big to brand breeding sisters, but alive
on good feed and water. It may have been
the turkey dressing drenched in juices,
or the cranberries fermenting fear familiar
that I recognize more than this imagined place
to wait before saddling a horse, loading-up
asleep to tilt at impossible windmills.

I’ve been here before, rusty wire on redwood
posts askew, exploring canyons, finding old
rough-haired families too weak to be wild—
all the guilt and disappointment I need
to torture my subconscious. Too old for that,
I roll over to let my weak knees hang before
testing with a first step towards reality:
cigarette, coffee and a poem for Black Friday.

 

BLACK SKIES

 

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Dark morning without moon or stars
before the first winter storm, the day before
Black Friday rains deals and discounts

for Christmas, for our economy and I am
ever thankful that the bulls are out early
courting cows, meeting kids and family

before dirt roads get too slick to travel—
ever thankful for the drought that felled
two big Live Oaks on the gate and fence

we corded-up and stacked beneath the eave
before the girls drove posts and spliced
the barbed wire on a mat of green

to leave the mess looking like a park—ever
thankful for them, for you and this ground
we’re invested in together, for good horses

willing to get the cow work done—
black skies without moon or stars,
you and I alone before the storm.

 

VIRGINS

 

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Unloaded into a new world
from the soupy end of a semi,
three clean, black and fat young bulls

spend their first night bewildered
away from home with alfalfa
to rest before I brand and turn them

into families of cows and calves
strung in a line on hay waiting
for their awkward inspection.

It takes time to learn the language
of making love, a prolonged foreplay
of mistakes and miscalculations

as I remember shadows in the 60s,
a fractured bravado ready
for reconstruction any time of day.

An old man worries nonetheless—
checks their progress before dark
confirming they’ve been to water.

Still working on their approach
to young mothers, no seed planted yet,
nothing banked into our future.

 

WEED SEED

 

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                                                                                                    …my life
                                        a patient willing descent into the grass.

                                             – Wendell Berry (“The Wish To Be Generous”)

Hemmed in silver moonlight, scattered
clouds linger over hills, no wet reflection
of the porch light. She has come and gone

without waking me with thunder, pellets
on the roof, not a leaky drip from the eave,
leaving nothing to remember her passing

by—not even her musty petrichor perfume
in the damp dark air to soothe my senses—
gone without a thought of waking me.

From a distance in the daylight, islands
of purple filaree look like dirt in graying
green, rolling dusty plumes follow cows

into water, yet they don’t seem to worry
into another winter without rain. Too
familiar, I read the signs with each synapse

shortened by the hard and dry. Too long
in the same place, I can see the weather
and the world have changed around me—

changed me as I retreat and try to adapt
like summer weed seed over time:
impervious to thirst and political herbicides.

 

INGRAINED

 

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I awake with chain saw eyes
measuring fallen trees:

                                        to die of thirst,
                                        dividends of drought

thick torsos with loose bark,
little brush to stack

                                        to clear for grass,
                                        to cover quail from hawks—

stove wood to haul and split
to hold the cold at bay

                                        outside the door
                                        into chimney smoke

and they are beautiful
in death, limbs reaching up

                                        lengths cut clean
                                        with sharp eyes

like people to heaven
begging notice, a chance

                                        for purpose yet
                                        and I am looking,

measuring like a tailor
around burls and forks—

                                        old habits stumbling
                                        with weak knees

in and out of dreams
come wintertime.