Tag Archives: water

FARMING THE FUTURE

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The wells run deeper now
past the Pleistocene and into salt
at half a million bucks a pop
for the last of the water
as the Valley collapses
under the weight
of farming investors
for the moment
leaving Mom and Pop
and forty acres
high and dry
with one last roll
for agribusiness—
one last extraction
from a thirsty future.

No dirt farmers left
to turn the earth,
make sweet love
with furrows
and pruning sheers
for a crop to harvest,
wobbly wagon loads
to railroad towns
grown bright and urban
in a couple of lifetimes
farming the future.

 

LIKE IT

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Black, no stars—a mist before the storm
stacks-up against the Sierra Nevadas—
rises and rains just in time for grass
struggling with hard, thirsty clay.

We, too, have grown hard
with no deep moisture, roots dry
and brittle as the Live Oaks offering
boughs full of brown medallions.

The problem bears have moved
to town, followed the Kaweah
down into backyards and alleys,
packs of hungry coyotes behind them.

Slow and gentle would be best
for the red, south and west slopes,
any kind of puddles for the flats—
but whatever we get, we’ll like it ☺

 

Ranch Journal: Having Fun (6 pix)

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With no worries about stockwater nor under the gun to feed cattle everyday, Robbin and I went to the Paregien Ranch Saturday to check on the bulls we put out Monday and to cut a Kubota load of stove wood ahead of the rain forecast for Tuesday and Wednesday.

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The grass is fading in places but the cows are holding up fairly well with growing demand from their calves. What feed we have lacks strength, but with our reduced numbers, the cows are staying full.

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We were a curiosity to a couple of bull calves, approaching three months old, as we cleaned up a dead tree near the solar pump that we installed this summer. Robbin took pictures while stacking the brush.

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Liking the smell and taste of the wood chips and sawdust, I was worried that they might try to lick the chain saw blade.

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Just checking on our cows and calves and cutting wood are the fun jobs we haven’t had the time or luxury to enjoy,

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and getting comfortable with relaxing seems to come in stages after virtually two years of feeding and trying to keep the nucleus of our cow herd intact. But we made real progress towards becoming human again over our fun-filled Thanksgiving weekend.

 

THANKSGIVING 2014

December 8, 2010

December 8, 2010

 

The green struggles in the clay.
Sycamores stand half-dressed
beside an empty bed exposing
white limbs as the sun sets.
The shadow of the ridge behind us
becomes a long, dark stage
for a chorus line of dancing girls,
arms entwined, kicking high
at the gate as we leave home
for a fire upstream—turkey
trimmed with camaraderie.
No traffic on the road to see
these celebrations along the creek
as the canyon waits for rain.

 

WHEN WORDS ARE DONE

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                                                                                     the world
                                                  lives in the death of speech
                                                  and sings there.

                                                       – Wendell Berry (“The Silence”)

 

We name landmarks on maps in our minds
so we can go there. Some to detail feeling
with art reaching-out to all humanity
searching for that common hearthstone

beyond man’s hackneyed adjectives
and political objectives. We press names
into place with indelible ink hoping
to get lost in the map’s open space

to touch the unnamable and soar
with the song. Those elusive, musical
fragments, those glimpses in trees, but
all we have when words are done.

 

TUESDAY

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We could be cattle, days
with no names like ticks on a clock—
each dark silence, welcome escape
from two years of want,

or stampeded substitute gods
overrun with adulation,
bringing feed and water to
damned-near everything.

Only now, with well-timed rain
and drizzles freeing cotyledons
from the clay, watching the young
bulls get acquainted with cows,

do we forget the drought
to see our future grass
and heifer calves—sure
that tomorrow is Tuesday.

 

HAWKEYE

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Good hooks and an eye
to hunt fish underwater
throughout the dry years.

 

 

IN THE SYCAMORES

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All of the young bucks
know their place and wait
for business to pick up—

for the boss to be gone
with work of his own
calling him away, far

enough that he won’t know
what they’re up to.
They spar a little, rattle

thin horns, bide their time
in the thick of November—
like it’s always been.

 

NEAR THE RIVER (RIPARIAN)

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Within the wild grapes and willows,
a world become tame
without humans.

 

 

Early Morning Writing

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Fellow blogger menomama3, Life in a Flash and Wuthering Bites, has asked that I share my writing process.

 

To begin with,

I get up early, my writing habit for years. It’s black outside except for one unobtrusive mercury vapor light at the horse barn, not a sound in the canyon. This is my time. No ringing phone, no demands from the outside world. My mind is fresh from whatever dream possessed it while I slept and relaxed. Often a dream lingers inexplicably, sometimes a day or two with vivid images and interactions or just a fog of feeling I can’t explain. But bottomline, my mind is all mine for a couple of hours.

Staring at a blank white sheet is not as intimidating as it used to be, and more often than not I already have a line strumming in my head, perhaps one garnered from my sleep. If not, because this is my discipline to write every morning, I have several collections from poets I admire on my desk that I may open randomly, and many on the shelf if the ones close at hand don’t help my inspiration.

In either event, the first line goes down. It may become the third line, last line, but in the process, that’s unimportant. By the third or fourth line of the first stanza, I’ll probably reorganize the first line anyway, or trash it altogether. I edit while I write, unlike many poets I know. My poetry is somewhat lyrical, and this jousting around in the first stanza or two, I think, is to set the meter or rhythm of the poem. I tend towards internal rhyme, it seems, and lean on it heavily to establish, or reestablish, meter.

I may approach the page with strong purpose, but most of the time I don’t know exactly where I’m going, and that’s the fun part. This grazing livestock culture relies heavily on metaphor, on personification, on anthropomorphic (new word, Suzanne?) explanations, and with that, a unique vernacular I also try to utilize in my poetry, as my own way of thinking.

I depend on details that I visualize to turn a line in a poem, a cause and effect, hands-on approach, and allow myself to feel the action, to become vulnerable and human, hoping to connect with readers beyond my world.

And why?

Reclusive by nature, the cattle culture has been under siege for generations. Hollywood has not helped our reputation, nor have a half-dozen well-meaning campaigns originating in town to oust us from the land, often in favor of development or other extractive industries. Our livelihoods are dependent on the renewable resource of grass. In it for the long term, we do everything we can to keep the ground, and our cattle, healthy. Land and cattle, we are one family, and that comes first.

Projects

come when time allows, I have several in my head: a chapbook with a working title of The Dry Years (surely to sell like hotcakes) and a perfect-bound, larger collection that will include the chap; also an eBook of photographs and haiku, when I can find a format as kind to the photographs as wordpress has been.