Tag Archives: poetry

SHARP SHINNED HAWKS

 

 

have come to dine on quail
while Cooper’s Hawks
work elsewhere. Low

sleek glide behind
a whir of wings
and feathers aflutter.

 

EFFICIENCY

 

 

@ 70, you try
to save steps, weigh
pick ups and deliveries
against carrying capacity
and memory hoping
not to forget
the grand plan
along the way—only
to find repetition
a good mental and physical
exercise in reality,
like it or not.

Shuffling his Florsheim wingtips
towards the hospital doors,
my father quipped, “A man has to
               get used to being
               not first in line.”

Change has not run off
and left us without humor,
without our backwards perspective
and subsequent syntax,
but thinking too far ahead
to save time, to insure
efficiency, we may miss
the moments we have
chosen to live for.

 

PAY ATTENTION

 

 

Everywhere we look
nearby news, activity
we can’t escape
unless we fly
above it all.

It takes a herd of eyes,
a flock of senses
to survive the wild
and domestic
intrusions

of this world.
No time to lollygag
when everyone becomes
someone’s breakfast.
Pay attention.

 

FIRELIGHT

 

 

No manila folders, no alphabetical tabs
among the files of fuzzy memories, no
random access search of the mind, yet

the forgotten lie in wait like dry tinder
for a spark to fire and bring to light
lost episodes excised in the editing.

We write the shameful off like bad
investments, or like tuition spent
to improve our reflection. How soon

we forget—yet the perfect details
that with cold hard steel chip
gray flint red just like the first time.

 

IN BLACK AND WHITE

 

 

Tell me everything is normal,
that I have slowed as time
has accelerated change—

that there are people, out there,
trying to steal you away
with worry and fear,

trying to bait you
with their protection
like a coyote in a cage.

Tell me everything is normal,
that anything you say
can become criminal,

that all the double-entendres,
similes and metaphors,
all the poetic devices

may be held against you
someday. It was serious
in the fourth grade:

a love note to Denise
promising marriage
and devotion falling

into my parents’ hands—
a mortifying lecture
to be careful what I write.

 

MOMENTS

 

Mt. Tamalpais – L.E. Rea (1868-1927)

 

For a moment in the movie I was moved—
removed from the chaotic struggle for power,
the clumsy bad actors, the sick intrigue.

For a moment, the song sang for me,
free from the fetters of this flesh to float
on eagles’ wings above the discord of humanity.

For a moment, the photograph forgave me,
took me in and gave me eyes to see
the simple splendor of reality.

For a moment, I was the poem: it wrote me
beneath sharp peaks of granite scree
sunk deep into a blue, blue sky reflected

on Sierra snowmelt, white clouds passing.
What for the art have we to offer for release
but moments marked where we found peace.

 

BRINGING SOME HOME

 

 

Where the creek stops in moss-laden pools
miles above the Kaweah in August, wild hens
collect with half-grown poults scratching for seeds

and bugs—aware, but not caring. I whistle
for a gobble as they drift off into the brush
as I have, into the canyons of lichened rock,

the Live Oak and Chamise. I am native
here, apart from where I came to forget
the blunderbuss of duplicity.

I came to be refreshed by the unafraid,
by the innocent and self-reliant—
I came to bring some home with me.

 

HOME ON THE RANGE

 

 

Mind gone blank: Zen empty
across the creek gone dry,
shadows stretching over long blond feed,

first-calf heifers coming out from under
shade to water for an evening’s graze.
It’s all the mind I need.

The news rains off my shoulders.
Even the eclipse didn’t faze me,
but for the fuzziness in my gut.

For a moment, it worried me—
so disconnected to the periphery
I had no need for poetry—

no need for anything but to breathe,
to inhale and cleanse the flesh
as it melts into the gloaming.

 

ENFLAMED

 

 

Fires in the night flicker on different faces,
candlelit or shadows borne from torches,
glowing herds driven by separate forces:

Black & white
Love & hate
Wood & steel

of celestial guitars—how loathing
corrupts the innocent and trusting,
all the possibilities of anything more.

 

TROUT FISHING

 

Robbin, July 2011

 

The answer in art appeals,
resides within, not without.
It adds, it multiplies

boundlessly: fresh, unnamed
senses like ripples from a pebble
spreading across pools

we harbor in our hearts
apart from politics,
from the legions of agendas

to satisfy the appetites
of power and greed
where might is right.

Art is not correct
and never stays the same,
illusive as the canyon wren’s

cascading song—I hear it now
again for the first time:
bear clover forever stirred

in memory miles away
in time and distance
trout fishing as a boy.