Tag Archives: photography

POGUE CANYON

 

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Half a mountain slipped away
to move the river south, left
alluvium of clay and granite rock—

a good spring in a steep draw
collecting stories at a pause
with brittle bones and rattlesnakes

for spice—half a century saved
to hunt and wander from the flats,
to ride to gather heifers with my father,

all the alliterative murmurs
that damned me and God
when the wind is almost right.

Half a mountain slipped away
to gather by myself, holding
highlights of the boy I used to be.

 

 

 

Weekly Photo Challenge: ‘Nostalgia’

 

Tarweed

 

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Born Without Fear

 

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A few days old and separated by 150 yards from his mother among a line of cows feasting on alfalfa, this bull calf returns home, to one of several shady pockets or nurseries where the calves are laid down after nursing. In good shape, we try to limit feeding this bunch of third-calf cows to once a week to reduce the pandemonium when the hay arrives—a new experience for this calf fresh into this pasture. Every cow’s head down, he’d walked the line back and forth, his calls unanswered, hot and frothy when he and another older calf wandered towards me, the older gently guiding, head to neck, the way to the nursery. The older calf immediately claimed the shade he must have risen from when the hay arrived, the younger calf still assessing his place in the world through the twigs of a fallen sycamore.

 

VISITING FAMILY

 

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1.
I am lost in a blond pasture
of cows with calves,
lone silhouettes under oaks

stressed by years of drought—
or nurseries: black lumps
around a cow—

the expectant gathered
under sycamores watching
babies steal the show.

2.
Hanging in the leaves,
estrogen
rubs off on me

each pair bonding
differently—
love’s rough tongue

or murmuring song,
some taught to follow
the swing of an udder.

3.
Closer with each visit
we become family
with gesture and tone—

all the poetry
unnecessary
from now on.

 

Twins

 

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She was not thrilled to have twin Angus calves, but we’ve been watching 3024 since they were born ten days ago, having gone so far as to make arrangements for bottle feeding one of them if necessary. As it turns out, the calf on the left was the one roused by two coyotes in our post of September 17th, when hours old and left in the middle of the pasture. It’s not unusual for a cow with twins to abandon the weakest, but now this cow seems to have acquiesced to her plight, both calves healthy and much stronger than they were. Whether she is keeping better track of them both, or the weaker calf is keeping better track of her is another question. She has plenty of milk and if she can raise them both, she’ll do a better job than we can do.

 

BRUSH STROKES

 

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Summer breezes comb
late spring rains of golden hair,
fine-stemmed wild oats ripened

in the rocks with a trace of lichen
rouge for looks—our sexy
centerfold to hang and frame

in the back of our minds,
our cluttered caves of thought,
to remember her by.

 

SEPTEMBER DAWN

 

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                    But God himself comes often and stays long,
                    when the castrati’s singing disturbs Him.

                                        – Ranier Maria Rilke (“The Voices”)

Within the quietude of dawn
streaked in yellow flame
between charred black shadows

when the sun peeks low beneath
the branches shedding leaves,
I hear voices in the canyon,

from the ridges and the draws,
of the generations gathered
where women left their track

ground in stone, and men
built barns and fences,
some yet leaning into time

unknown, for a different breed
of cattle and of dreams—
a chorus clear and strong.

And all the working hands
that left no mark upon the land
they still inhabit singing

harmony and peace
within the quietude of dawn
streaked in yellow flame.

 

 

“A Voice for the Voiceless”

 

REFRESHED RELIEF

 

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All this time, decades of learning and relearning
reapplied to new devices designed to save time—
to bank, spend or squander somewhere in the future

with no guarantees made selfish sense, a singular
detachment from the congested urgencies swirling
like autumn’s colored leaves in a quest of rest

and peace. How he craved the storm’s building
energies, the dark electricity thundering rain
to erase time’s tracks, that might freeze the moment

into days and weeks. Old flesh come alive
with the prospect of starting over again, cotyledons
of grass for cows and calves—a refreshed relief.

 

EQUINOX 2016

 

Terri Drewry photo

Terri Drewry photo

 

Long shadows on blond feed tall,
standing skeletons of oaks from drought,
the gray cow caught talking with an iPhone
to her new, silver-belly calf.

No audio, too far to catch the vocabulary
lesson, the inflection of each murmur
into song, the guttural beginnings of all words—
a universal language of basic sounds

with deep meanings that defy time
and cultures, that survive the latest plague
of progress and the genius of science—
no better teacher than a mother cow.

 

GIRLS ON GREEN

 

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Heads down, our future grazes green
on the edge of time, on ground
the river met with Dry Creek—

all the round cobbles mined
to build the county seat gone wild
with willows and cottonwoods,

natives claiming space we named
between the Kaweah and Wutchumna
Hill. Nothing is the same for us

or them as they mature to become cows.
Heads down, it is easy to forget
to look up at where we’ve come from.

 

 

Weekly Photo Challenge: ‘Edge’