Category Archives: Poems 2016

STAGE MANAGER

 

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After awhile in a place, the trees we plant,
fertilize and irrigate for summer shade
and privacy need to be pruned to see

the pasture between us and the road,
as cows and calves become autumn’s
evening entertainment waiting

for a rain beneath a waxing moon
and the ridgeline’s jagged shadow
cast across a canyon greening—

              the phone rings inside
              lamenting the election
              and everything it means:

no more robot recordings begging money
and votes four times a day for candidates
and propositions I know nothing about,

yet sure of another set of rules and taxes
to pay for agencies and enforcement
to make the majority feel better

about this crazy world. I need to raise
the curtain, cut another limb to sooner
see who or what’s coming up the road.

 

WEATHER CHANGE

 

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I turn away, blinded by November’s
first light, Redbud hearts enflamed
with last season’s feed on green

burning yellows between dark shadows
with the news, with disbelief.
I retreat to calm counsel with cattle:

scattered pairs, calves fresh with life
finding legs to fly—buck and run
figure-eights without direction always

circling back, showing off for mom.
We will work the heifers anyway—
give them everything we can

to make them attractive to Wagyu,
their first bulls. And we will wait,
as we always do, for rainy days.

 

DOES-IN-WAITING

 

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Hide-outs saved for sane
discussions, always listening
between short sentences

for advances within the dry
and brittle skeletons of spring—
we could forever be nervous

deer on the rebound, come back
to ricochet within a shrinking
wild that we have helped consume.

On the outskirts, perhaps
we feel it now approaching, wind
the scent of human arrogance

surrounding us, that we succumb to
out of necessity knowing
we’re headed in the wrong direction.

 

UNTAMED SILENCE

 

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Heading into winter, black cows yet fat
sucking calves—damp, thick-piled green after rain—
everyone is clean and shiny off the hill, parading
to water early to laze in the shade. Pages

of poetry shuffle across a desk messy with business,
an untitled collection scattered and spread,
collected and clipped faraway in my head
from our family of cows, from short remarks:

our song of words and phrases overflowing
with the water troughs at Windmill Spring,
spilling too spontaneously to require editing.
We needed to collaborate, to escape the loud

and demanding devils too close to home.
In this place, we are blessed with native eyes
and forgotten tongues—where we can relate
long poems in the luxury of untamed silence.

 

GRASS

 

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Within a week of late October rains, a forest
of green blades twisting, chasing warm
golden light between canyon horizons,

reaching while we sleep to a waxing moon
sailing south across black starlit seas—
a germination thick as hair on a dog’s back.

Hard clay turned soft underfoot, under cloven
hooves, out of the bleached and brittle rubble
of last year’s feed, a spreading miracle of green

as the earth stirs with another birth of grass.
And we are tied to it, mentally shackled
and physically restrained to work within her

moody generosity, daring not with word
or thought to piss her off—we have our gods
and goddesses we adore, stealing glimpses

every chance we get outside to pause
and praise them. All our totems, the bird
and animal people of the Yokuts know

our names, know our habits, show us the way
this canyon was designed to support life,
here and beyond us, with a crop of grass.

 

 

  Weekly Photo Challenge: “Chaos”

 

PROPAGATING GREEN

 

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The seed beneath the dry, dead grasses
waits, as we have waited to begin again
with rain, to plant themselves, screw and twist

into damp dirt, to swell and burst—first
hands open to feed the living, applaud life,
millions of ovations standing on their own.

Each a miracle rising from hollow, blond
and brittle stems, from the dust of bare
red clay and sandy ground—alive and green.

Our private holiday, hope and relief let go
to breathe freely, to work fully within
this new beginning for one more poem.

 

WHEN WE WERE BOYS

 

I read outrage from old hinterland poets
on Facebook to stir my blood, enflame
my brain, pretend that words might quell

injustice with compassion, find humanity
commonplace, or search old dialogues:
mountains, rivers and streams, for peace—

translations to bring home from foreign
lands and times that seem to work here
for a little while. I read to write

when I’m tongue-tied, lend my gravelly
voice to the ancient chorus and try
to sound nice, only to find assonance

puts most folks to sleep. No one needs
to read anymore, translate marks on paper
into better thoughts than when we started—

now that we have open minds and let
technology have its way with us, do it
all as we lay back to enjoy the ride.

No one needs to saddle-up in the dark,
untrack cold-backed broncs to mount
before going to work—they all had names

and personalities when we were boys.
No one needs to reach inside for more
than what we thought we had in those days.

                                                            for Red

 

CONTENT WITH CHANCE

 

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Desk light inside, tree frogs hang on the screen door
stroked by the gentle damp breathing of a downcanyon
breeze, deep dark mouth clear to the mountain pines.

No stars, all black, we wait—anticipate cloudy daylight
together, a red sky dawn and rain, slow at first
approaching, its tiny footsteps soft upon dry leaves.

No new amazement, this cleansing of dust, this erasing
memories and tracks that leaves the ground fresh,
that may swell the seed to burst into green cotyledons,

open-handed to receive sky blessings, small miracles-
in-waiting—a chance, we dream. Wishing is not praying
yet among the bone-dry years, broken skeletons

of old oak trees flailing across hillsides in herds
just before Halloween, Buckeyes drip with bloody
leaves while goblins claim what we cannot see.

 

THE DREAM

 

October 27, 2014

October 27, 2014

 

A slice of time incised from ranch
routines, an Indian poet-in-residence
for a week, Jack Kerouac on the wind

escaping Montana’s sub-zero to write
about dreams. He thinks in Crow,
undulating hands stroke the grace

between them, never touching speak,
pleasant sounds of rushing water gush
from his lips I almost understand.

I envy this bear of a man
who brings brightly painted ponies
and the Little Big Horn with him,

the feathered glory of reenactments
and contact with the old chiefs
that breathe past and present here

upon my skin. What a way to go out
to become one with time, turn the soul
loose and gather ‘round the fire

of mountain men, all the old cowboys
and pioneers, all the natives done with
trying to make a living on this ground.

                                                 for Henry Real Bird

 

TRADING LABOR

 

February 12, 2015

February 12, 2015

 

A black and white macro of weathered wood,
corrals and hills beyond, old guitar song
and chiseled men follow smoke to the ridgeline

and back to the fire and branding iron. A ringing
cell phone colors riders, a black calf stretched
between two sorrels—blue denim action

of men and women, old neighbors dancing,
each genuflecting to a moment on the ground.
“We’re branding calves,” a limp loop

answers from the corner, looking down
canyon past hazy orchards, somewhere town
as if he could see the caller, the papered desk,

stretch the thirty miles. A guy with a drone
reports, “We got ’em all.” Empty white tables
and chair legs licked by green tongues wait

with meat, bread and beans on an oak fire, ice chest
beer below a towel, soap and water, plastic glasses
and fresh jug of whiskey ready on a tailgate.

Close again, the chatter of visiting face to face,
gossip, stories and mysteries unveiled, fading
with cows with calves strung up the canyon home.