Author Archives: John

Gallery

Branding: Belle Point & Flat — 12 photos

This gallery contains 12 photos.

We left the point and shoot on the table during the branding, perspectives from several photographers. First branding

AFTER THE SOLSTICE

 

Colder in the old days, we lit smudge pots—
met New Year’s Eve with the all-night roar
of wind machines to stir the air, save

an orange crop bound by sentries, plumes
of flame down every road and dirt avenue—
starlight twinkling madly in a black sky.

Up on the hour to check the temperature,
Dad slept on the wood floor by the fire—
wool sweater, reek of diesel, ready to rise

while we dreamed of what we missed
in the country—like Mom’s new dress,
the festivities and friends in Visalia.

She learned not to cry, let disappointment
spill so easily, especially onto others—
a farmer’s daughter, a farmer’s wife.

                                                            for Mom

 

COLD MORNING

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I find my friend hunting
on my way to cut wood
for a branding fire.

 

 

ADIOS TWO-FOURTEEN

 

If it is Apollo’s steeds chomping at silver bits
I hear behind the ridge, eager to tow the sun,
bring the light like any other day, the future

to this cold, dark canyon—the last of the old load
of days to be dropped off before the New Year—
I’m ready early, hacking my last goodbyes

on paper, screening blessings from the dust
and drought behind me, I trust, having measured-up
to something I can’t see, head bowed, dragging

my feet in yesterday. We must lean into our collars,
move the wheel into new country, scatter virtue
like vigorous seed and hope for a bumper crop.

 

1958

 

Exploring with a gun alone, oak trees
spoke to me—Red Tails swooped
to the wounded and buzzards trailed

at a safe distance when I was ten—
half-wild, I thought, circumambulating
the endless draws and canyons that called

for company and conversation—shooting
squirrels and hunting rattlesnakes in rock piles.
They would have jailed my folks today.

The first butterfly I saw batted by a bobcat
played better than Walt Disney, better than
the Space Race, Cold War or Sputnik.

 

FLIES

 

Come December, they are slow
to leave, cleave to the screen door
to warm by the woodstove

before the freeze, waiting with housedogs
for an opening—for an afterthought
pausing between the in and the outside,

the delivery of groceries or a child
as wavering door stop. They are slow
about dying, cling to the window glass

while looking smugly at the frost,
or fly haphazardly to bump into flesh,
rudely investigating every orifice

as their last chance and place
to continue the race—with such purpose
as to enrage a well-awakened Saint.

 

CEREMONY

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Blue Oak rounds too big for the woodstove
collect near the splitter in a pile—energy
stored in rings of sun, years of rain—
the severed dead, hard and dry inside.

We look ahead to ceremony, prepare
as we go, set aside the burls and forks,
too twisted to split, for the outside fire
and generations of flickering faces.

I see my mother in my grand-daughter’s
eyes, leave us for a moment for the flames
lapping the remains of a stump—the call
from beyond that burns within us all—

she is drawn away. It is the coming back
to her mother’s lap, her bemused recognition
of going somewhere within white coals
beyond this half-circle of family

that I see my mother in her face
while the meat cooks. We talk, lift glasses
in the smoke that swirls undecidedly
around us, just out of reach of the flames.

Early tracks upon the morning frost,
someone will rise to stir the embers,
to rekindle conversation from cold night
hoping to keep the celebration alive.

 

 

WPC(2) — “Warmth”

 

Christmas Fire

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WPC(1) — “Warmth”

 

CHRISTMAS 2014

She breathes, her flesh
with hair enough to hold cattle
and rain to her breast

should it come hard and fast
to fill the canyons. Gray clouds
linger with nothing left

but to offer color and contrast
to these hills greening yet
in Christmas Day’s last light.

Black from the bottoms,
sunset’s shadow crawls
to an island lit with rosy hues

dotted with the dark silhouettes
of cows and calves grazing
the iridescence of fresh green.

She breathes, her flesh
with hair enough to hold us close
to her soft breast.

 

BALL OF TWINE

My head spins
another yarn
about the old days,
the old ways
we found comfort
with a job done.

The harvest of Emperors,
wobbly wagonloads
of purple grapes
picked and swamped
from field to shed
before the rains came.

The many hands
wearing a day’s work
beneath September’s sun
well into dark
for a dollar an hour—
each rich
with a small part
of another accomplishment
that dared God’s
impending forces
to escape with the crop.

Another currency
we all shared
with profanity
meant for the moment—
damning Him
and ourselves
when we failed.