Tag Archives: poetry

EARLY MORNING SHADE

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Mid-San Joaquin summer,
you can set your watch
by cows coming off the pasture

to Valley Oaks at seven-thirty—
back out into the blazing sun
by noon, breezes off the green.

Not one gossipy complaint
among them, chewing cuds,
relishing the timeless shade.

 

 

WPC(2)—JESS & JARO

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When all that follows
begins with a kiss
that only lasts a moment.

 

 

For the Archives

Kauai Wedding

WPC(2)—”Summer Lovin'”

WPC(1)—OUR REVERIE

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End of day in the shade,
100 degrees
of everything we need.

 

 

WPC(1)—”Summer Lovin'”

INSATIABLE

Glancing up at one of many windows
in a dream, and she preoccupied—
what was it then that hungered so

to be noticed, what little boy revisits
my mortality, what mother of us all
plants a seed that grows and grows

into the damnedest things, like poetry?
As for love and wisdom, what value
then if not gained first hand?

 

 

WPC(3)—CONTAINERS

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Gooseneck and old corrals
to gather a watershed
to take to town.

 

WPC(3)—”Containers”

 

WPC(2)—CURRENCY

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Pole barn full of relief
and distant hope
not to have to feed it all.

 

 

WPC(2)—”Containers”

WPC(1)—HAULING WATER

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Clouds or plastic canisters—
Lord, we pray enough
to last a lifetime.

 

 

WPC(1)—”Containers”

TO WHAT LISTENS

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                                   I sing—to what listens—again.
                                        – Wendell Berry (“To What Listens”)

 

I cannot match the Canyon Wren’s sheer cascade
of octaves through brittle Manzanita, spilling over
granite boulders, each note searching for a home

or the strike, light and crack of a cold summer
thunderstorm in tall pines and damp cedar duff
beyond the fire—middle-of-nowhere—beyond

narrow roads and ‘lectric lights, the burnt scent
of moments mixed off to join the world in a gust.
I yearn for the source, map each in my mind

and like calling cattle to me: sing, awaken
canyons with old vocal chords turned free
and loose, a crackly a cappella of my own.

And they come out of chemise, off mountains
of oak trees, to the familiar, like good friends.
I sing—to what listens—again.

 

THE TRAINER

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An easy balance of wills
at work, a dance
on uneven landscapes.

 

 

OLD WRECKS

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I often wondered
why some old men
liked college kids

around, leaking
basic adventures
that felt full

and familiar
despite the times—
ageless naïveté

seasoned with passion
to pump the blood
into guffaws

and unsolicited
windies with a moral
learned the hard way.

I look back
to see them now
and myself

as a diversion
for old wrecks
just like me.