Category Archives: Poems 2020

APPETITE FOR ANARCHY

 

© Victor J. Blue for The New York Times

 

                      Son, they all must be crazy out there.
                           – Michael Burton (“Night Rider’s Lament”)

We get the news as black or white,
reckless words that conceal the truth
reduced to red and blue enamel.
No sage advice from Washington,
no common sense to right the Ship

of State, and no one at the tiller
to face the tempest’s hate—too busy
painting enemies to blame
while adding anger to the storm.
We get your craziness in colors

with the rising smoke and flames
on a planet waging war
in the cloud of a pandemic
neither understood nor cured—
a collage of clashing colors

without a brushstroke for compassion,
discipline or pride lucrative enough
for the media to cover
with an appetite for anarchy
where only self-righteous ride.

 

 

“Night Rider’s Lament”

 

OVERNIGHT BLOOM

 

 

Pink Echinopsis twice in May
after a peak of 110 degrees
like an afterthought—like a sign.

Thin dark clouds float upcanyon
like submarines at dawn,
gun-metal gray—oaks black

on blond hillsides like burnt spots
in the draws. Dark green sycamores
bring the creek flow to a stop.

Morning chill upon the breeze
brushes my bare chest, invigorates
the flesh one more time.

 

FACING THE MUSIC

 

 

Blessed are we with the diversions
of spring in bloom: colored orchestrations
of multisyllabic assonance rhyming

with short-clipped awe: an ever-changing tune
that steals the senses midst tumultuous times.
Blessed are we to be alive with work to do.

Always the War to measure the world by:
patriotic hawks enlisting reluctant doves
as fodder that shocked us into an explosion

of lyrics and melodies—an awakening
for music, a renaissance for humanity
we pray may come this way again soon.

 

TERMINUS 1953

 

 

               The telephone line goes cold;
               birds tread it wherever it goes.

                    – William Stafford (“The Farm on the Great Plains”)

He was old, but younger than I am today,
digging earthworms for a rusty coffee can,
cane pole and cork bobber for the bass hole

on the Kaweah where he pumped water
for summer pasture before the Flood of ‘55
took it all, but memories, downstream.

In those days, we were rich with time to spend
on foolishness, watching water and bobber
in the warm morning’s sunshine. I call

back occasionally, but there is no ring
on the other end for anyone to answer,
no one left at home, no fish in the bass hole.

 

EARLY APRIL 2020

 

 

Miracles begin
with rain enough to restore
dry hills green again.

 

LAND OF NOD

 

 

               All alone beside the streams
               And up the mountain-sides of dreams.

                    – Robert Louis Stevenson (“The Land of Nod”)

Gray days, low clouds hide
green horizons, the divide
between us and the bizarre

business of Coronavirus
nightly counting corpses
like sheep to fall asleep

in the Land of Nod.
Sequestered among the heavy
heads of Fidddleneck

bowing wet with rain,
our dreams unchanged:
sweet grass enough to keep

cattle fat and happy,
to keep us hungry with
high hopes for humanity.

 

HERE TO HELP

 

 

Watching the corrals from a distance:
young men a horseback dancing in the sort
of cows from calves before branding

amid a discordant chorus, the same
plaintive song of years worn thin
that holds the heart in place as the eyes

fade and the mind wanders a far
ridge searching for the first split
in the trail that leads to this short

moment of chance and circumstance—
apart and beyond the world’s fear and all
the raw conflicts that feed it senseless.

A man rides by the seat of his pants,
pockets of memory that reach for the rhythm
of a horse collected, the singing twine.

 

COVID-19 AND CHILI BEAN DREAMS

 

 

I am traveling with a crowd on foot,
steep country new to me.
Arriving at the summit early
I follow the long ridge east
before returning to see the group has left.
I track them west to catch up
in a strange new world of wonders
where they are eating in a huge room,
cafeteria-style, but with glittering celebration,
streamers and bunting.

Across the room I see a familiar face
I thought was long dead
and hurry towards him, a short man
more full of energy than I remember.
He wants to show me around
and I follow, dazzled by all I see—
landscapes carved with care, misty
waterfalls and rivers running trout.

Growing weary, I can’t keep up,
and see him last descend a cliff
of loose dirt, brush and rock
like a young buck. I am afraid
and choose the long way ‘round
until I’m lost in the expanse
of a modern metropolis
of gray skyscrapers and elevated
thoroughfares from one horizon
to another. I stop blank-faced strangers
to ask directions to the place
where we first arrived, to family
and friends, to where I met him.

When I awake panicked, I am full
of his energy, stepping lightly
on the carpet instead of plodding
in the dark, tossing another stick
into the woodstove without pain.

 

ISOLATION BLUES

 

 

                                       To ease the pain of living.
                                       Everything else, drunken dumbshow.

                                            – Allen Ginsberg (“Memory Gardens”)

Chill in the dark,
the day before forever—
before eternity slips
into twinkling space.

Alone with ourselves,
we have no secrets left
to bury, only seeds to sow
for summer fruit.

Two owls are talking
across the yard:
emphatic hoots,
promises of spring.

Dogs bark at the scent
of coyotes near—
neither know, neither care
about tomorrow.

It is our moment
to find diversions
in search of awe,
the small and the majestic—

to do the work
to ease the pain of living.
All the rest
drunken dumbshow.

 

IN THE MIRROR

 

 

                              Not with a bang but a whimper.
                                   – T. S. Eliot (“The Hollow Men”)

A belly I may shed
before I leave this end—
my father wizened,
spending his before he died.

                              I yield to time,
                              to the absence
                              of reason.

I feel ambition
and all its diversions
wane in the soft dirt
of familiar trails:

habits I cling to
so as not to get lost
in the grandstands

to watch the war
and any hope for peace
expire until I leave

                              the poetry to others—
                              the exultant songs
                              of living things

we may finally become
with a little luck
to be among them.