Category Archives: Poems 2020

NOIR

The mysteries, puzzled
pieces scattered, most missing
and decomposed by the moment

linger, shelved in the back room
for future reference
awaiting adhesive connections

that seldom take shape.
The ranch and its inhabitants,
the wild and tame, the unknowing

hands of man and the malicious,
the well-meaning touch
that turns terribly tragic--all

scattered, stacked one upon the other,
clues that only true detectives
note in the dusty swirl of ambiguity

left to settle with experience--
an illusive sense beyond the tangible
that this old ground evokes.

*       *       *       *
   
Inspired by an article in the latest issue of Will Hearst's 
Alta Magazine: 

https://altaonline.com/private-investigators-san-francisco-phil-bronstein/

HARVEST MOON 2020

A perfect moon
for chaos,
I become the face

of an observer,
a skirmish
still raining ash,

but a tick in time—
I yearn for yesterday:
butterflies and squeaky gates

that turn cows
with unnerving ricochets
of change, a trap

to escape as I become
the face
of a smoking moon.

REPARATION

 

 

Shaking hands with my former self
in these chaotic times
may not be progress. The clock

ticks backwards to dust clouds
and loud hurrahs, to whoops of youth
and muscles flexed to hold

the heroic buck and run
of someone else’s dreams—
a reckless swagger into smaller light.

I could have died several times
and learned nothing—my grip
to meet myself eye-to-eye.

 

HELPLESS

 

 

On the other side,
all the current dangers rage
unseen that words cannot

assuage. Isolated here,
hands busy with simple
tasks, we cannot breathe.

On the other side,
an unknown future waits
to reshape us to survive.

Fifty years ago,
I was afraid
I would become proficient—

integrate guilt and hate
into my young soul
to become the best

at squeezing death
before a soldier’s
impromptu grave.

On the other side,
we pray for clarity—
for humble purpose.

 

HEIFERS AND HORSES

 

 

No social distancing, evening conversation
centers on introductions as sorrel horses
welcome first-calf heifers coming to water:

no politics, no economic woes, just
domesticated souls touching nose-to-nose
before shadows crawl across the canyon.

We are enveloped for prolonged minutes
within their quiet reverie, forgetting
all the bad news they’ll never know.

 

MELTING TIME

 

 

I study rock landmarks,
look for tracks
to see if they have moved.

The pipe gate swells
in the heat. Now only
swings but one way.

Resident ground squirrels
and immigrant ring-neck doves
share the dogs’ food.

On brutal days
over 110°—
there are no rules.

Like Dali’s clocks,
time is part of the landscape,
like it or not.

 

NATIVE

 

 

You can almost smell them curled
asleep or stretched across smooth rocks,
shining shades of earth, charming

and deadly. They don’t want trouble,
come home each year to make a living,
to together stand above the grasses

wrapped in urgent procreation
as the dry seeds roll in painted gourds—
the dance begins, as they collapse

and rise again. To stay connected,
I’m told that the penis is shaped
like a T —barbs both sides— and

that she can draw upon the sperm
as needed for years. Generations
of brothers and sisters know

their way home. Grandmothers
carry the future and grandfathers watch
and listen, crawl into your mind

to know your secrets, to hear
your confessions to all the ridgeline
men long-gone before you.

 

MICROCOSM

 

 

                  It was impossible to make it through the tragedy
                 Without poetry.

                      – Joy Harjo (“Becoming Seventy”)

This other world of cows and calves,
of motherhood exemplified, and bulls,
like men, trailing wire of down fences

is yet to be expected. A bumper crop
of rodents and snakes surround us,
the full moon coyote count of duets

and trios draws closer around us
in the half-light. The metaphors
and similes come easily to favor

humanity ‘midst the tragic chaos
where the latest issue of the truth
has come to be disbelieved.

 

TOP SHELF

 

 

Sometimes I sell ‘em ten bucks at a time, but mostly
when I give ‘em away to friends, I tell ‘em
like I tole Baxter a few months after he signed
“Croutons on a Cowpie” for me years ago in Elko

where all the cowboy singers and poets meet
in the dead of winter, everbody huggin and shakin hands
like famly, new boots and silver glinting coin piled
in rooms like warm cocoons to listen, safe from the outside

news, just to sing and tell stories with roughshod poetry.
First time I went in ’89 to read my stuff I was skairt
until I run into Ramblin Jack who I hadn’t seen since ’66
at the Ashgrove, plumb skairt ever since Sunday school

stage plays screwed my face up so tight to where
I couldn’t say my lines. But seein Jack made ever thing
all right. Now that Baxter’s older, he understands
that it was a compliment, ‘specially since he’s a vet

and knows how the body sometimes works best
when the brain is busy with something else,
busy and out of the way of regular business.
I wrote to Baxter that I’d took his book off my desk,

pulled it out from under loose stacks of poetry
for my top shelf—so I mean it when I tell ‘em
my poems are mostly short and will work best
if you take and leave ‘em in the bathroom.

               for George Perreault and “Bodark County”

 

 

BODARK COUNTY

 

SURROUNDED BY SQUIRRELS

 

 

Having slain hundreds, another battalion digs in
to undermine the well and water trough, to scout
the garden for an attack on the last tomatoes.

The quail have made a comeback in coveys,
strings of babies trailing on training wheels
making circles, mornings and evenings.

Before our eyes, another lifelong mate
in the making, Roadrunners packing lizards
and snails to their nest in prickly pear cactus.

The heavy-limbed sycamores shade a ribbon
of green along the dry creek bed, sub-irrigated
Bermuda grass a few bulls graze between bellowing.

Black cows shine on a side-hill grade, either side
of the canyon, or silhouettes in shade gossiping
and grinding cud, having shed their babies.

SUVs, RVs, camp trailers and fifth-wheels
escape the confinement of cities to dodge Covid-19
and logging trucks on a narrow mountain road

to the pines, and I don’t blame them—with
a thousand ways to go, why not migrate
where no one seems to worry about dying.