Tag Archives: Wendell Berry

TO WHAT LISTENS

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                                   I sing—to what listens—again.
                                        – Wendell Berry (“To What Listens”)

 

I cannot match the Canyon Wren’s sheer cascade
of octaves through brittle Manzanita, spilling over
granite boulders, each note searching for a home

or the strike, light and crack of a cold summer
thunderstorm in tall pines and damp cedar duff
beyond the fire—middle-of-nowhere—beyond

narrow roads and ‘lectric lights, the burnt scent
of moments mixed off to join the world in a gust.
I yearn for the source, map each in my mind

and like calling cattle to me: sing, awaken
canyons with old vocal chords turned free
and loose, a crackly a cappella of my own.

And they come out of chemise, off mountains
of oak trees, to the familiar, like good friends.
I sing—to what listens—again.

 

FOR SNYDER AND BERRY

Out of wonder by wild design,
like greenheads rising, our ascension
from cattail ooze on a Sabbath

when I was a boy surprised
with my father—and all times since
shaking off the last glistening drops

to fly—no church or sermon necessary
to feel whole, to shed the nonessentials,
to become awestruck, he implied.

Even the shadow beneath the ridge
of a rattlesnake track teaches
by design, direction and urgency

left to fade within the long history
of earth. We cannot help building
fences in our minds to keep the wild

away and apart from our selfishness.
But only out of wonder may we remove
the barbed wire from our hearts.

 

 

DUST

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                                        “We may be living on an atom
                                        in somebody’s wallpaper.”

                                                    – Wendell Berry (“Dust”)

1.
Between worlds, the sun leaked through
the shingles of Granddad’s dark shed
where the pixie dust would dance, sparkle

within light beams, as my sister and I
urged invisible steeds to town adventures—
fly aboard the manure spreader stored

for the future, the iron wheels and idle
wagon tongue would wait to take us
to wild dimensions for young dreams.

2.
The friction wears us smooth and fine,
cobbles, sand and dust. In the dry years
midden rises under hoof on a gust,

generations lifted to cloud the light
that smell like deer hides and taste
like acorns—tiny planets inhaled

behind cattle drawn to gather here
to wait and see how serious we are
about leaving what feels like peace.

3.
Through a stained glass window high
above the hand-hewn beams in the adobe
Chapel atop the prep school’s hill,

the call of selflessness floated on motes
that framed the sermon, moving me
from the wooden pews filled with two

hundred other vacant blue blazers
into another world for a week or so, yet
clings still to particles that float in space.

 

 

‘Dust’

EYE

                        I know for a while again
                        the health of self forgetfulness,

                                – Wendell Berry (“Sabbaths 2000, V”)

Call it ‘eye’, if you will,
that desperate search for notches
and niches apart from the self

that beckon, and sometimes beg—
but often ambush us with awe
to behold, to become so small

that we forget what we have created
within this heavy flesh just
to consume and survive our appetites

for a short time. Only the desperate
have it, the lucky ones looking
beyond man’s crude creations

our children must learn to live with.
I die a little each time I’m overtaken
to let the mind go at these thresholds

and somehow think that I can
preserve and frame the moment
in a photograph or poem.

                                                for Wendell Berry

 

 

 

Sabbaths 2000, V

SACRED SPOTS

                                There are no unsacred places;
                                there are only sacred places
                                and desecrated places.

                                          – Wendell Berry (“How To Be A Poet”)

We listen with our eyes,
turn pages back, hear
and learn the language

of all-flesh praying.
Certain ceremonies linger
in the air, cling to rocks

thrust up from the earth,
always ready for the sky—
places young boys came

to become men standing
among the Blue Oaks
for generations camped

below. You will know them
when you find them,
when you stop:

sacred spots for gods
to rest and try again
in case we need to pray.

 

 

                                                      “How To Be A Poet”

O BLESSED RAIN

                                        We hear way off approaching sounds
                                        Of rain on leaves and on the river:
                                        O blessed rain, bring up the grass
                                        To the tongues of the hungry cattle.

                                                  – Wendell Berry (“Sabbaths 2000, VIII”)

Perhaps the old trees grounded in granite
feel it flutter first, out of the southwest—
or the windmill that never lied, spinning

pointing, pumping water. We await
the screaming crescendo of wind rising
on the corner of cedar log ends to be sure—

the Siren’s song that can draw dry souls
from the flesh to fly with the first drops
sounding on the roof, the leaves, the earth.

No finer miracle than that moist moment
of redemption, inhaled and absorbed at once,
bringing grass to the tongues of hungry cattle.

 

 

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A ‘promising chance’ is bantered about among local news and weather commentators for next Thursday, Friday and Saturday.

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                             In the name of more we destroy
                             for coal the mountain and its forest
                             and so choose the insatiable flame.

                                          – Wendell Berry (“2008”)

It is the lazy nature of our dreams, wanting
that which we conceive – we float on lakes rising
while islands sink, despite repeated dawnings

and better sense. The hawk remodels his high nest
of twigs when the leaves come, refines efficiency
with practice – talon and beak to soar and feed

generations. He has his place in sycamores
along the creek – a Red Tail pair, chests bared
to winter sun when we hay horses waiting.

Do they, from the cold, bare branch, dream
of warm domesticity and dependence, a store
of gophers or wealth of squirrels, or do they

find us curious? The blueprints and templates
to gather plenty have endured, yet we feed
our future to the insatiable flame in our mind.