Tag Archives: poetry

SAME OLD GROUND

 

 

Same old ground this time of year,
gathering grass-fat calves and steers,
pasture by pasture, to the corrals
to weigh and exchange for cash—

to do it all over again—a collage
of seasoned stories where details blend
within the bronze and brittle stems
between canyons fenced like funnels

down to flatter ground. Cattle gentler,
better bred to routine and for the hook
on these same old hills they graze,
when and if it rains in time for grass.

Habit after half-a-hundred years,
no two the same, we circle back
in the same old tracks, just
to see what we’ll never see again.

 

HERDS OF BIRDS

 

 

Perhaps it is the constant news,
each day a different page,
that I close the book

to watch the Killdeer herd
their brood of errant children—
one always lost. Hatched

on the run, they learn all
the words they will need,
corralled beneath spread wings,

in a few short minutes
until one or two escape
in different directions

to go exploring the forests
of dry and brittle grasses.
It takes two to keep four together:

she to hold the bunch
while he makes circles
leading the last stray home.

 

FOUR SPECKLED EGGS

 

 

Never enough roofs to shed the sun in the San Joaquin,
I’m leveling a pad for a barn with the skid steer
that’s become a hydraulic extension of my hands

between two huge Valley Oaks, four-foot across—
a roost for two Bald Eagles, long-dead witnesses
to father and son not learning to work cattle together.

In the ash pile of fallen limbs, a Killdeer sets and defends
her nest as I surround her with windrows of clay clods
to crumble and fill once the chicks are hatched.

Feathers fanned to fight for hours, her eyes bleed red
as her mate drags a wing nearby. Perhaps respect
lets four speckled eggs stop progress along the creek.

 

GARDEN CAVEAT

 

 

It’s not the cool coast of California
with cypress leaning leeward, but
the tomatoes and squash love

this year’s pleasant inland temperatures,
unaware of summer in the San Joaquin.
We, on the other hand, cringe

ahead of time, remembering so vividly
that it spoils our vacation. But nowadays,
we never know what’s coming, which

unwritten script awaits in ambush.
Escaping to the garden, hopefully I
bloom with our optimistic vegetables,

imagining tasty, blue ribbon fruit—
careful not to be so careless
as to step on a rattlesnake.

 

LOST FRIEND GONE

 

 

The canyon quiet by the fourth dawn, heads buried
beneath the waves of blond dry grasses, behind spears
of wild oats arching empty husks, first-time mothers

grazing like we expect our perfect world to be.
No plaintive calls, no searching draws, no panicked
pleading to canyon walls for their weaned calves

they have almost forgotten. We are relieved
of guilt, unburdened from their guttural mourning,
the harsh cacophony of maternity, of eighty

broken bonds rasping, wild wailing around us.
Aging skin grows thin imagining the magic
of companionship delivered from the womb,

of nursing, of mothering the first-born and losing it.
Emptiness and sorrow for a lost friend gone,
these cows giving voice to my unusual confusion.

 

NO RETREAT

 

 

Spring lingers into May, empty
blue clouds in a pink sea at dawn—
an ancient armada claiming sky,

this canyon that yesterday’s Navy jets
left thundering, practicing, maneuvering
for war. Here along the shrinking creek

Egrets and Killdeer wade, we measure
global tension, hear its roar, primitive
and deafening with no retreat.

 

HARVEST

 

 

Two sections of grass,
twenty-four tons on the hoof
leaving for your plate.

 

SHIPPING DAY

 

 

A season teeters
on the beam, calves condensing
strong grass on the hoof.

 

ANOTHER PURPOSE

 

 

Ants in the anthill, we feel the quake
of giant footfalls, cloven hooves
and rubber tread approaching, yet

stick to the business of our survival
unabashed, sorting the wild grain
packed by caravans for winter’s cold.

Our one mind is not cluttered
with news beyond our borders,
the fallen oak and swollen creek—

of all the peripheral shenanigans
delegated to orators and generals,
to pundits and playwrights busy

with dramatic scripts to entertain
themselves. We serve another purpose
dedicated to feeding ourselves.

 

VIOLENCE

 

 

                                                                                Why do we
                    invite the world’s rancors and agonies
                    Into our minds though walking in a wilderness?

                              – Robinson Jeffers (“Going to Horse Flats”)

All the props in place, the stage is ever-set
for calamities, for the struggles for power,
for deceit in scripts yet unwritten, but predictable.

                    Two Red Tails strafe a passing eagle
                    reluctantly retreating to a steep hillside
                    to stand his ground, claim his space

                    to face their withdrawal. We watch snakes
                    squeeze and swallow one another whole
                    as the bobcat waits upon the tailings of a burrow—

this world, and that beyond it, turns on violence
despite our protests, despite our compromises,
despite the logic of compassion to dissuade it long.