Too wet to plow,
cold clear sky
before dawn,
green storm
forecast on the screen—
Live Oak down,
waiting patiently
in the road
to become cordwood
close to the woodstove—
to warm flesh again
and again and again.
Too wet to plow,
cold clear sky
before dawn,
green storm
forecast on the screen—
Live Oak down,
waiting patiently
in the road
to become cordwood
close to the woodstove—
to warm flesh again
and again and again.
Racing the storm
camped on Sierra peaks
leaking sparkling snowdrifts
south of Olancha’s stone huts
each round rock
a poem fit
for publication:
perfect works
without chimney smoke,
without window glass,
without wooden doors
stand open to unfriendly futures
marking the trail
like ducks
towards Tehachapi
snow plows
loaded with desert sand.
I imagine time
resting here
on its way West.
Naked girls reach for the light
downstream,
stage right,
day’s end:
with alabaster limbs washed
after a good rain, leaves
puddled in the shadows
at their feet as the sun sets
a little south of the western myth
and the three hundred pagan souls
that owned this canyon,
hills worn smooth—
centuries of cobbles seized
by knotted roots
chasing water
still claim the creek.
A battered jeep limps
home for repairs
down the road between us,
a day at play
in fresh mud and snow
and the girls keep dancing
unconcerned and unafraid
of time
for me.
She arrives quietly before dark night
like a lover returned
reminding how we fell
into one another’s eyes
to share the light—
to help me forget how
the planet spins with acrimony,
all the harsh words
under layers of lies
lost to her shadow cast
across the canyon—
she is a goddess rising.
A long wire gate
in a steep spot
has heard replacement
swinging from pipe braces,
moving the fence,
for twenty-five years—
hears us laughing at the hole
it sometimes takes both to close—
about a list longer than our lifetimes.
On the slick hillside,
reminders realized, open
to pastoral light as I rejoice:
relieved from my word
to myself, to one another,
and to these staples, posts and wire.
Prolonged moment before the all-day rain
quit, evening light pressed into the gray
reflects the mist within like a lantern glowing
separate from the sinking sun, blinding colors
rage around me, superfluous extremes burning
wildly with possibilities that beg me to yield,
to gratefully acquiesce and unfence my mind.
Rooted in a woodstove ash dump, heavy
with seed pods after twenty years—Redbud
in flames, tongues of fire hanging brightly
to taste the damp air fresh with a thousand
new beginnings we’ve yet to speak of.
Another circle ‘round the sun—
fractured dawns
ride the ridgeline
to blind my eyes.
I am not the center of the cosmos,
just a passenger
on the planet
for a moment.
Green shadows reach into the Buckeyes
to bluing skies beyond
these dance hall girls
warming-up—
half-dressed sycamores
flashing flesh,
spilling leaves
awaiting sunshine.
Another circle ‘round the sun
between miracles of rain:
instant grass, instant future—
HAPPY NEW YEAR!
I’m an old time smugglin’ man and I know just what to do
I sell guns to the Arabs
I sell dynamite to the Jews
– Tim Hardin (“Smugglin’ Man”) Verve 1966
Sometimes, the old songs ring true—
clever genius festering a tune
we can sing to our children
before we send them off to war.
Business explodes in the cities
of strangers, in jungles and deserts
we must liberate before we extract
our pound of flesh for the fallen—
and here at home, Dearly Beloved,
just outside the door, down the street
around the corner of the future,
nothing is secure anymore—
not the dollar, not the truth.
I want my old job back: weeding
flowerbeds for two-bits an hour—
knees deep into the rich damp dirt.
Crawling between the cobbles,
the creek begins to run again
lifting a discarded cover of leaves
into fragile rafts downstream
in the prolonged undressing
awaiting a freeze. White flesh
shows on some, bare limbs
reaching outward like flashers
in open russet trench coats
having shed their blush of crimson
weeks ago—slow and deliberate
provocations for hundreds of years
here, of frolicking sycamores, naked
nymphs dancing across the creek
when no one is looking.
It was colder at the Solstice
when I was a boy, my father,
like a bear before the fire
between rounds snoring,
checking temperatures,
starting the Ford flat-head
wind machines, igniting
smudge pots for oranges—
lids thrown back for flaming
helmets, a nighttime line
of soldiers on every road
guarding orchards, crystalized
stars twinkling frantically.
A black cloud stayed
all day over the Valley,
soot invaded the houses
and went to school
on the faces of children—
mother’s party dress
protected in plastic
for yet another Christmas.