A plodding drawn through hot
and dry, through the seasons
to graze this moment,
this cacophony of light—
of life exploding
beneath our feet.
A plodding drawn through hot
and dry, through the seasons
to graze this moment,
this cacophony of light—
of life exploding
beneath our feet.
More than gold and jewels,
hillsides dressed with hair
reaching for the sky.
More than the wealth of green
slopes, tall feed cured dry
and banked. We are rich
with rain, clear into September—
blinded by this moment spilt
upon the ground in bloom.
My mother’s favorite, delicate and bold
among the grasses. Hard to come by
in these times, there is a place
among tall oaks where they thrive
that my father must have known,
that I visit every spring to see
they have survived, like innocence
untouched by humankind. She would ask
if I’d seen them, found them yet.
~
Baby Blue Eyes Nemophila menziesii
½-1½” diameter
4-12” height
March 14, 2016
that which there is no greater
– “Flying Cowboys”
A yellow pincushion dances outside
my macro lens, unsteady gusts
I can’t follow closely, can’t keep up
on my knees. But I know what I want
and hope for something better
than what I see, let the aperture
find bokeh and focus for a fraction
of a second saved for another time
when I need to escape the news—
lose myself, and be this flower
wild and hearty in sandy ground
that grows poor feed for cattle.
Low downcanyon, all shades
of gray after-rain clouds, convoys
of cumulus trailing the storm from west
to east wanting to be thunderheads
as far as I can see of infinity
from the pasture, this close up.
for Jessica
~
Yellow Pincushion Chaenactis glabriuscula
1-2″ diameter
1-3′ height
March 14, 2016
Posted in Photographs, Poems 2016, Ranch Journal
Tagged macro, photography, poetry, wildflowers
We had water enough for play in furrows
with scraps of wood, leaves for sails,
regattas on rivers pumped from underground.
All the magic that children take for granted
swirled to the hum of electricity, twenty-horse
pumps like Buddhas squat in orchard rows
my father farmed for wagonloads of fruit
ripe for the rail, packed by women’s hands
for the road on diesel trucks to distant places.
His silhouette crosses deep within vineyard rows,
early morning, late afternoon, hoe in hand—
his pirate’s cutlass, swashbuckling open-topped
overshoes—checking water, irrigating grapes
at seventy, or so I think at sixty-eight, knowing
now what drew him to the earth he farmed.
and holy
days asleep in the calendar wake up and chime.
– William Stafford (“How You Know”)
Tree frogs awake in the dark,
in the rain, a steady wave of chorusing
croaks upon croak—thousands
clear the air in their throats
again and again, prolong moments
no one else seems to want.
I pause in my tracks listening
deep into the wet blackness to a holy
tradition begun before man.
0.88″
Posted in Photographs, Poems 2016, Ranch Journal
Tagged "How You Know", Chia, lupine, tree frogs, William Stafford
Robbin and I know where we belong, that we have grown old while the world has changed around us. We think of our parents and grandparents, understand their frustrations with progress.
The Academy of Western Artists “seeks to preserve the traditional values associated with the cowboy image despite consolidation in the cattle industry and changes in contemporary society. The group hosts an annual awards show.”
Yesterday, with two of our cattle neighbors, we were headed to Forth Worth to meet my son who had flown in from San Francisco, where I was to receive the Buck Ramsey Cowboy Poet of the Year award and have some fun. This morning we’re on Dry Creek, he’s in Fort Worth.
~
We know the feeling of corrals
in airports, and prepare ourselves
to be bunched-up, to wait in lines
at every gate—to follow rules
for humans. We should have known
red fire trucks as an omen,
but we loaded-up, anyway,
found our seats and waited.
I was a mountain man in another life
dodging Indians and ole Ephraim,
knew them all and their stories
and started reading. About the time
Hugh Glass met the grizzly’s cubs,
the captain came on the intercom
to say it’ll be a short, or long, wait
to leave for Dallas, to find the trouble
with the engine gauge, maybe just
a loose wire. I am a slow reader,
but by the time they started patching
Hugh Glass’s bloody body up,
we deplaned to rebook our flight—
190 head, three hours in the lead-up
to be processed. No way to get
to Dallas and keep the four of us
together, no other plane to haul
the human cargo—no way to share
awards and ceremony. (They kill
the man, anyway, Jeffers said.)
Way Out West beyond the claustrophobe,
we should be proud of plans
that we expect—that have to get—
the work done, where we depend
on few, but in the corrals, numb
humans herding humans used to
to corporate calculations failing—
we treat ourselves and cattle better.
for Temple Grandin
Horizons close-in
with a slow rain,
infinity becomes
a short reach
over the ridge
into the gray.
We begin to think
like old oaks
on north slopes
awakening
to leaf and fruit
with moisture.
We’ve seen the creek
swell and disappear
for centuries,
the road flow
with carts, wagons,
pickups and goosenecks,
stream with Christians
and bright busloads bound
for glory and awe
in the distance. Unseen,
we are rooted just
where we want to be.
Canyon gray,
light warm rain,
glass of wine at dusk,
and we enjoy the sound
of small drops
on a metal roof,
tinkling ricochets
in stereo downspouts
that insulate
our momentary sighs,
escaped breath rising
on words overheard
only by the gods
and fickle goddesses
somewhere overhead.
Not the storm predicted,
not the flood
to erase the drought
that won’t release its grip
for years, if ever,
talons sunk in our flesh—
this crease of earth and rock
that’s heard it all before
from generations of oaks
and sycamores, cattle
people and natives,
all sighing at once.
Posted in Deck Poems, Photographs, Poems 2016, Ranch Journal
Tagged earth and flesh, rain, weather