The green is gone.
No need to say
we need a rain
praying privately
under our breaths—
no Congressman
to write to,
too busy with politics
to notice.
Gather to brand.
Feed hay.
It’s all normal.
The green is gone.
No need to say
we need a rain
praying privately
under our breaths—
no Congressman
to write to,
too busy with politics
to notice.
Gather to brand.
Feed hay.
It’s all normal.
On the other side
of Sunday school
and Old Testament tests,
we survived wilder times
with less rules. Today,
we take turns cutting calves
with meat on the fire.
At home in these board pens,
we can hear the old men
holler from Sulphur Ridge:
Dave, E.J., Earl and Homer,
chides, laughter and profanity
as we look back—
and up ahead we see
we’re somewhere in-between.
How I craved the physical,
the hot rush of blood
within my flesh, the might
of muscles flexed
to my will, the loop’s
quick flash secure
around the boney
feet of calves
in the branding pen—
no two quite the same,
how I welcomed them
as a measure of a man.
Branding calves in Earl McKee’s corrals has always been removed from the rest of the world, separate from the conflicts and politics that we are bombarded with daily. Never more true than yesterday among a few neighbors and friends at our first branding of the year, most of us going ‘old people slow’ as we got the job done.
Posted in Photographs, Ranch Journal
Tagged Bill Drewry, branding, Douglas Thomason, Greasy Creek, Ken McKee, photography, Terri Blanke
Certain places, certain
as the ridge’s blinding light
at dawn, embrace us—
draw the pain away,
the poison that the brain
has let fester behind our eyes.
They need not speak, yet
the breeze rhymes
in the limbs of trees,
where the business of birds
changes with the seasons, yet
will not change the ways
of the world. Certain places
find their peace in the mundane
details, the stamen’s sure
perfume pollinators share
upon the petals’ opening
their doors to seed. Certain.
When I was new to these hills,
great rocks rose to find my way
along a native track—coyote,
deer and that of cattle—
dirt worn soft by pad and hoof.
I gave each a name
to place me on this ground
when I was lost, or turned
around on gray fog days.
Weather-sculpted, laced
with lichen color, some
take the shape of humans
that haven’t changed, frozen
in time before men came
to live among them—
mark the stories of the hunt
and gather of the untamed.
These rocks remember
without words, a warm
language recorded
for the species that survive us.
Not quite full, we cheer its rising
on a ridgeline of oaks, naked
silhouettes posing before a fire—
its steady ascension between and beyond
heaven’s contrails—as the busyness
of this planet becomes small.
Thanksgiving seems a long ways away, doubling-up the feeding before and after, as the new grass greens, trying to keep the cows in shape to breed back, most with calves at their sides. We’ve also been busy getting the bulls out in our upper country.
We have a good start on our grass with nearly ¾” on November 17th, followed by a week of 70 degree weather and then another 0.60”—an ideal beginning as high-temperatures now steady in the mid-60s. The older cows are headed to the tops of the ridges where the soaked-in rain gets the most exposure from the sun, some changing pastures where drought-stricken oaks continue to fall on fences. Our emphasis now is getting them all together and exposed to the bulls as we think about branding.
Amid the political chaos, we’re thankful we have a job to do in a separate place where we must concentrate our minds and energy on what we hope to be productive. This business, as I’ve said many times, is dependent on three variables: the weather, the market and the politics—none of which have we any control of. In many respects, we’ve gotten used to it. Despite what appears to be global uncertainty, we carry on with all we know to do.
On a personal note, I haven’t had any inclination to write poetry or take photographs with anything more than iPhone. What poetry I’ve posted seems more of an exercise than fresh inspiration, while feeling that my art, for lack of a better word, may be on the cusp of something new and different. At any rate, I’m not holding my breath, too busy leaning toward the work before us, essentially distancing myself from any old habits or poetic styles, but rather immersing myself in the activities from where my poetry has come.
Posted in Photographs, Ranch Journal
Tagged bulls, cows, grass, photography, Ranch Journal
We never quite give-in to the ground,
though it shapes faces and scars our flesh—
mountains and canyons worn apart
from the crowd, our trained brains taught
to see the smaller things while looking out
over purple ranges to snow white teeth
sunk sharply into the blue, blue sky
after a cold rain clears the air, erases
tracks, cleans all but the near at hand
climbing higher for the tallest green
hidden in the old, gray grass, mildewing—
cows and calves full atop the ridge,
friends and family lying in leafless shade
looking out beyond the perfect dreams
of our calculations ever coming out.
Oak smoke from the woodstove
curls beneath the eave, gray snake
sliding from post to beam
to filter dawn’s first blinding light
after rain. Bare ground green
with cotyledons, damp with dew
overnight, sequins glistening
on blond dry stems—on the cusp
of something beginning with
the miracle of seed swelling
into new shoots, leaves of grass
over and over and over again
despite our ignorance and greed, our
ownership of more than the moment
as we prepare for another adventure:
oak and Manzanita stacked
against the dry and cold stretches
between the welcome rains.