Category Archives: poetry

DEAR CONGRESSMAN

Out here in the California heartland
beyond the peeling billboards
that once announced
every fruit and vegetable
capital of the world
removed from Highway 99,
swapping crops
for air conditioned shopping malls –
neutered Valley towns
given-up their figs
to farm people instead,
I can’t tell Turlock from Modesto.

Out here between the furrows where
every Mom and Pop grocery store,
fruit stand, bar, bait and tackle shop
under one flat roof is boarded-up,
old gas pumps frozen
like soldiers from the Fifties
waiting for a windshield
or dip-stick to check
or if the kids are over
the mumps or chicken pox yet.

And Congressman,
I know we can’t go back –
that the rest of you must
have great big plans
we can’t comprehend,
that you all have your own dream
of what you can do with the harvest:
your ledger of plastic magic debts –
but what happens
when the tree grows
too far from its roots?

We are the tendrils
burrowing in the dirt where
what little water left
is pumped into food
we can’t sell at a profit
anymore
and I was wondering
how do we fit your vision
of the new millennium?
How are you going to keep us
producing
like numb milk cows to stanchions
without kicking down
with a little more cash
or bigger rations?

Or have you dealt us out
for some fresh field workers
not yet addicted to
electricity or TV,
never driven a tractor or new car
or had to pay
license and insurance yet
with nothing to lose
but their innocence?

Dear Congressman,
I couldn’t sleep again tonight
trying to figure how it’s going to work
and thought I’d write and ask you
before
I invest another decade in the soil:
how in the hell can we stay
to pay the bills and still
subsidize your consumption?
You don’t need my vote
and not enough will hear
whatever good or bad I might say
about you to matter,
but I thought I’d ask
one human to another:
do you really have a plan?

Not much has changed. Written in 1998 and included in “Poems from Dry Creek” (Starhaven)

THE LITTLE GENERAL

Epaulets on his shoulders,
I remember the cocky strut
of the redwing blackbird

beneath the grain bucket
mornings when we saddled horses,
back when we had a pond,

wild ducks and nested cattails,
but not enough water
to watch it evaporate—

and I miss them, miss the
mallards come the gloaming
on whistling feathers

with bellyflop landings
to safely spend the night.
It’s all about water.

MARCH HAIKU

On top of the world
the fat calves are curious—
nothing else to do.

MINING THE MOON

What has happened to the world,
the people, the planet,
now that we can measure

parts per billion,
the distance in light years
to the nearest black hole.

Crowded in corrals,
we are bent beneath the weight
of useless information

shouldering our way
to the EXIT gate
to shed the burdens

of mind and flesh—
lifetimes spent
trying to escape?

What has happened to the world,
this magic planet,
its Mother Goose,

her golden eggs
the rogues are after
mining the moon?

TANGIBLE FANTASY

When the rains come right
and knee-deep green feed hides
beneath Fiddleneck in the flats,

we forget the bare, baked slopes
cut by dusty cow trails plunging
to the murmur of the diesel truck

spilling alfalfa flakes the length
of undressed pastures—lost bawling
calves and slow thin cows.

So blessed to have disremembered
the lean dry times, we believe
the miracle is normal, that Hera

and her daughters will set-up camp
and stay a fruitful future for man
and beast, creeks in the canyons—

a tangible fantasy for the thriving
when the rains come right
to change our way of thinking.

WAITING FOR THE STORM

Early spring garnish
before a mid-March rain,
wild colors claiming

lush shades of green
that cattle finish grazing
by eight o’clock.

Everybody feels
what’s coming,
despite the sunshine—

despite the rattling
of sabers
from would-be kings.

DAYLIGHT SAVINGS

Dad claimed it was the politicians
far away from farming
that saved day’s end for golf,

adding another hour in the field
to get the harvest in
as summer days grew longer.

Just like a bank,
sunlight loaned for how to spend it,
work or play?

Now no matter which
we still change hands
on his vintage clock.

Snow on Sulphur





Snow comes off the mountain
on the backs of trucks,
white caps on compacts

like trophies
to melt on roads
into town—

cold hands
shoveled dirt driveways
steer downhill.

SPILT PAINT

Our canyon gleams
with sunlit shades
of rejuvenated green,

dirt tracks damp
after rain, white skiffs
of popcorn flowers

primed to usurp the flats
and gentle slopes
to divvy up with gilded

fiddleneck before the blue
lupine and golden poppies
display the sloppy guise

of springtime’s spilt paint
for photographs, daydreams
and April showers.

ON A GRAY DAY

1.
Crows circle,
coyotes skulk
and a Red Tail watches

on a bare oak branch
for a ground squirrel
to wake and warm

atop a rock at dawn.
Everybody’s hungry
in February.

2.
Cold marble ceiling,
precursor to another
stream of storms predicted

to test the levees,
erase the landscapes
of man’s mistakes,

but likely missing
a golden opportunity
for humanity.

3.
The imbalanced weight
of man’s achievements
and herded hostilities

wobbles the planet’s
tipsy equilibrium
between war and peace,

the struggle for power
over Nature
to right herself.