Author Archives: John

“LASCA” via Dave Bourne

I received this email from Dave Bourne this morning, as we get ready to brand a little bunch of our calves.

On Feb 9, 1853, Frank Desprez was born in Bristol, England. He’s best
known in the American West as the man who wrote “Lasca”…and is best known
in other parts of the world as the writer of well loved “curtain-raisers” or
companion pieces to Gilbert & Sullivan’s light operas. As a teenager, fresh
from a failed apprenticeship as an engraver, he and Willie Pinder, a cousin,
traveled to the States, and got work on a ranch in Texas for about three
years. Returning to England in 1875 by working as a ship’s steward, he
embarked on a career as a reporter, author, editor and literary reviewer.
In 1883, he married Jessie McQueen, the daughter of an officer in Her
Majesty’s dragoons, and they had three children. His family says he was a
quiet, modest man who never talked about his years in Texas. Frank Desprez
left this world in 1916.

Please, take 6 minutes out of your day to read “Lasca” aloud to someone you
love….tell ‘em it’s an early valentine.
– D.B.

LASCA

It’s all very well to write reviews,
and carry umbrellas and keep dry shoes,
and say what everyone’s saying here,
and wear what everyone else must wear,
but tonight, I am sick of the whole affair.
I want free life and I want fresh air;
And I sigh for the canter after the cattle,
The crack of whips like shots in a battle,
The medley of horns and hoofs and heads
That wars and wrangles and scatters and spreads;
The green beneath and the blue above,
And dash and danger, and life and love and Lasca!

Lasca used to ride
On a mouse-gray mustang by my side,
With blue serape and bright-belled spur;
I laughed with joy when I looked at her!
Little knew she of books or creeds;
An Ave Maria sufficed her needs;
Little she cared, save to be by my side,
To ride with me, and ever to ride,
From San Saba’s shore to Lavaca’s tide.
She was as bold as the billows that beat,
and as wild as the winds that blow;
From her little head to her little feet
She swayed in her suppleness to and fro
with each gust of passion; like a pine,
That grows on the edge of the Kansas bluff,
And wars with the wind when the weather is rough,
Is this Lasca, this love of mine.

She would hunger that I might eat,
Would take the bitter and leave me the sweet;
But once, when I made her jealous for fun,
At something I’d whispered, or looked, or done,
One Sunday, in San Antonio,
To a glorious girl in the Alamo,
She drew from her garter a dear little dagger,
And sting of the wasp! It made me stagger!
An inch to the left, or and inch to the right,
And I shouldn’t be maundering here tonight;
But she sobbed, and sobbing, swiftly bound
Her torn reboso about the wound,
That I quickly forgave her. Scratches don’t count
In Texas, down by the Rio Grande.

Her eye was brown-a deep, deep brown;
Her hair was darker than her eye;
And something in her smile and frown,
Curled crimson lip and instep high,
Showed that there ran in each blue vein,
Mixed with the milder Aztec strain,
The vigorous vintage of Old Spain.
She was alive in every limb
With feeling to the finger tips;
And when the sun is like a fire,
And sky one shining, soft sapphire,
One does not drink in little sips.

So why did I leave the fresh and the free?
That suited her, and suited me?
Well, listen a while and you shall see
that this be sure, on earth and air
God, and God’s laws, are everywhere,
and Nemisis comes on foot as fleet
to the Texas trails as to Regent Street.

The air was heavy, the night was hot,
I sat by her side, and forgot-forgot;
Forgot the herd that were taking their rest,
Forgot that the air was close, oppressed,
That the Texas norther comes sudden and soon,
In the dead of night or the blaze of noon;
That once let the herd at its breath take fright
and nothing on earth will slow their flight,
And woe to the rider, and woe to the steed,
Who falls in front of their mad stampede!

Was that thunder? No, by the Lord!
I sprang to the saddle without a word,
One foot on mine, and she clung behind
Away! On a wild chase down the wind!
But never was fox hunt half so hard,
And never was steed so little spared.
For we rode for our lives.
You shall hear how we fared.

The mustang flew, and we urged him on;
There was one chance left, and you have but one;
Halt, jump to the ground, and shoot your horse;
Crouch under his carcass, and take your chance;
And, if the steers in their frantic course
Don’t batter you both to pieces at once,
You may thank your stars; if not, goodby
To the quickening kiss and long-drawn sigh,
And the open air and the open sky,
In Texas, down by the Rio Grande.

The cattle gained on us, and, just as I felt
For my old six-shooter behind my belt,
Down came the mustang, and down came we,
Clinging together, and what was the rest?
A body that spread itself on my breast.
Two arms that shielded my dizzying head,
Two lips that hard on my lips were pressed;
Then came thunder in my ears,
As over us surged the sea of steers,
Blows that beat blood into my eyes,
And when I could rise-
Lasca was dead.

I hollowed a grave a few feet deep,
And there in earth’s arms I laid her to sleep;
And where she is lying, no one knows,
And the summer shines and the winter snows;
For many a day the flowers have spread
A pall of petals over her head;
And the little gray hawk hangs aloft in the air,
And the sly coyote trots here and there,
And the black snake glides and glitters and slides
Into a rift in a cottonwood tree;
And the buzzard sails on,
And comes and is gone,
Stately and still like a ship at sea;
And I wonder why I don’t care
For the things that are like the things that were.
Does half my heart lie buried there
In Texas, down by the Rio Grande?

FRANK DESPREZ (1853-1916)

PROPHECY & PRAYER

For grass and cattle, we pray
for rain until the draws run
with tree frogs in January –

until hills leak and release
rocks imprisoned in their clay
for more than centuries.

When gray heavens hover lower
and press heavily upon our minds,
engulf us all in cloud and fog

for a month, we pray for sun
until wildflowers come, now afraid
of an early spring in February.

Forecasts vary, prophets proliferate,
everyman a soothsayer, we pray now
for time to get the work done.

Jody

Jody Fuller

© 2011 Dry Crik Journal

A beautiful, spring-like day around 70 degrees, Robbin & I had a ball taking over 500 photos between us. Nice calves, good people – reminding us how lucky we truly are.

Gallery

Portraits of a Branding

This gallery contains 21 photos.

© 2011 Dry Crik Journal  

Fuller-Maze Branding

Click to enlarge

© 2011 Dry Crik Journal

REMEMBERING BAJA

Smell of salt upon the sand,
endless stream of pelicans
tracing waves, translucent

blues and greens returned
from golden times, as we
absorbed the sun, charged

the naked flesh, strangers
off the gravel road
to San Quintin in the 60s –

when there were no signs
of people, except for you
and I – philosophizing,

boiling it all down
to a native awareness
we hoped to cultivate.

                                – for Peter Forsch

FUNNY WORLD

It’s still a funny world of mostly men
among men in front of women, old
bulls with half-bowed necks, that

awkward uncertainty searching for
a postured cure, a familiar stance –
we give them space, let little voices

from unruly classrooms fade as if
not listening, as if nothing was said,
hoping an echo rings in their heads.

Pawed dirt with bellow and bluster,
some wear bald spots on thick skulls,
spar for hours in a pasture of cows –

yet the unemployed, when sequestered
together, can harmonize their grumbling
from the comfort of distant shade trees.

BEGINNING OF A SCREEN PLAY

The scene opens around a fire,
shadows of huddled men dancing
to white coals stirred for another chunk
of tamarack, bell mare grazing
distant darkness by granite starlight,
sweet and damp in her nostrils,
to the snowmelt’s murmur
leaking down into another world.

You are there among them now,
young and listening in thin night air,
following a herd of horses from
Cuyama up the Kern, over Farewell
to the miners in Mineral King
by yourself at seventeen – Onus Brown.

If lucky, you may be a story only,
a far-fetched tale of discarded truth –
short chapters of wild accomplishment
that will not matter in the future,
but for the embellished retelling.

The camera zooms into eyes a glint
beneath your brim, cigarette inhaled,
jug tipped, passed and burning still –
nothing worse among these men,
than to have nothing left to tell.

Elko

Robbin and I are finally home from Elko, taking the two-day, long way across the Great Basin to reflect and recuperate from too much fun with old and new friends – the special reunion that the Gathering has become beneath the multifaceted offerings on its many venues. When I first arrived in 1989, it was pretty much traditional recitations with very little contemporary expression – half-dozen books for sale – but there was an amazing ‘lost and found’ camaraderie that inspired us all and sparked similar gatherings all around a disjointed, cowboy West of those days.

Mediums of contemporary expression are as varied as technology will allow today, going well-beyond its poetic beginnings, an explosion of all kinds of art, music and video as Cowboy Poetry has evolved, trying, I think, to offer and reaffirm an ethic common to us all, apart from the uneasy business of media hysterics. Breakfast with the Hungarians Monday morning, before the Gathering got into full swing, confirmed to us that this ethic is not limited to the American West, or to the U.S., as we discussed the details of annual and perennial grasses via Agnes Kemecsei, the translator. Jammed around a table in a corner of the Stockman’s coffee shop, the air was thick – and I was reminded of that camaraderie back in 1989, that shared feeling of finding others whose livelihoods depended on grass, who also took care of livestock. It was a wonderful beginning to the Gathering for us.

The rest is, of course, a blur with too little sleep – serendipitous highlights and diversions – ample inspiration for another year to be sure.

THOSE DAYS

                        Under the bank a muskrat was trembling
                        with meaning my hand would wear forever.

                                      – William Stafford (“Ceremony”)

We were those days we envy now
with time to cut and paste around
the scenes that needed editing,

our thin thread stretched into a thick
lariat wrapped in purpose – yet,
we were much more consumed

in the loose meanderings of our
sweet naïveté, the unresolved knots
and tangles without ends – like

David Lee’s colloquial roll
in Barbed Wire, before ‘them pliers’ –
like Stafford’s Ceremony under the bank

in that river, our blood flows red
among the roots of things still living
along the oxbows towards our beginning.