Author Archives: John

DOWNTOWN GIG

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No telling the tune
that’s dressed to kill
to pass the hat, to fill the till.

 

 

Collisions in Place

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Though we don’t leave the canyon often, it’s always fun to speculate about moving to another place, like Victoria where summer temperatures are 25°F cooler than the San Joaquin Valley, where the urban pace is not as urgent as California, where the air is clean and clear. It’s been over a year since we’ve left the ranch on Dry Creek, the dust and drought, the cattle, but in Victoria our daydreams broke free enough to take on details, like trying on new clothes for a decent fit.

Concurrently, I was reading Wendell Berry’s “Imagination in Place”, a collection of essays that exemplify the concept of how belonging to a place can offer a more sustainable vision for it, our community, and ourselves. Reading from Victoria, it was clear that I had not exhausted what was possible on Dry Creek, despite a lifetime of observations, improvements and reams of poetry.

Unbeknownst to us, my daughter Jessica For the Archives who lives on the island of Kauai, was visiting Galiano Island with her husband and son. We’re lucky to see them once a year, so to have them near as the band rehearsed for their show on Salt Spring Island, to pick up where we last left off so effortlessly in a place that was not home to either of us (though Jessica had spent a year on Salt Spring Island) was an interesting mix of exhilarating emotions. We loved it.

Arriving home to the Islands just ahead of hurricanes Iselle and Julio, they were thrown into hurricane prep mode, boarding windows and stowing stuff. But living on a Noni farm with access to well water and a solar pump increased their sense of security, the whole experience enhancing their confidence to ride out most disasters—part of learning to live in a place.

She emails: “Curious how it’s been for you coming home. Sometimes it’s hard to return, other times it feels so good. Sometimes, it’s a little of both.”

It has not been an effort to fall back into the mundane routine of feeding and irrigating, checking stockwater and cows that will begin calving in a couple of weeks. The long shadows of August promise change, the monsoonal thunderheads in the high mountains and the gusts they bring to the canyon excite us to feel young and alive as summer begins its retreat into what we hope will be a normal year of grass and rain. We start over again in a place we know and trust.

SCALEBUD

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Bright yellow flowers
to light feathers just
waiting for an errant gust.

 

 

WPC(2) — “Texture”

KAWEAH BRODIAEA

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Thought extinct, it survives
grazing hooves and drought
to stop development.

 

 

“Discovering Kaweah Brodiaea” May 5, 2012

WPC(1) — “Texture”

REMAKING HOME

The dogs are barking now,
raccoons in the rocks—
chattering moon shadows

discussing the last of the Elbertas
they can’t see picked
in a bowl at the sink.

Stray Queensland waits
for daylight at the dog pens—
fell out of someone’s pickup

coming late off the mountain.
Then to the hitch rack, smell
of horse and hoof, sure

of a ride home. He knows
the dandy who can’t remember
where or when he lost him.

Loose four nights, pen door
open to food, his voice
grows deeper into the dark.

 

FERAL CASTING

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Rising within the civilized
with untamed dreams
ready in my mind.

 

 

Upon Reflection

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Three reflections of downtown Victoria’s bright colors and herd of humans being themselves, I was a shutter-bugging fool.

 

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AUGUST REVERIES

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My brown-skinned girl,
each dusty draw
seems softer, shadows

linger longer at the dawn
as the sun moves south
down ridgelines.

I begin to hear
the faint sound
of a light rain, early

on the roof—the musty
smell of it awakening
a primal surge of new life

for old veins on guard
for the slightest sign
telegraphed ahead

of a train in my mind
mesmerized by rivulets
finding their own way

to the creek running
into spring. Cottonwoods’
first yellow leaves

gathered by rolling gusts
up and down canyon—
you say you feel it too.

 

 

Good Times

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ARBUTUS

Empress Hotel

Empress Hotel

 

The old trees wear scars well,
grab and hold the earth
together better than sapling

wood bending with each recent
gust, or so we say with ages
packed beneath our peeling bark

delicately exposing what we could
not young. Not nimble dilettantes,
we take our wine in gulps for pain,

for all that has been lost–
that we will surely follow
to the fire, warming as always,

toil by toil until we become
bucketed gray ash to be stirred
and washed into the hungry heart

of soil. These old trees stand
their ground to wait with memory
and dream, always almost there.