Tag Archives: poetry

MANKINS FLAT, AHEAD OF THE STORM

 

 

                                        nothing left but a river flowing on the borders of heaven.
                                              – Li Po (“On Yellow-Crane Tower, Farewell to                                                            Meng Hao-jan Who’s Leaving for Yang-chou”)

Branding big calves an hour from the asphalt,
snow-laden Sierras dressed in diaphanous clouds
a stone’s throw across the North Fork canyon

from these corrals too short for modern cows,
we talk about the pressure-treated posts you set
six foot down back when I can’t remember.

Away from the world for years, you are both here
and beyond the Great Western Divide,
a fuzzy white river flowing south to somewhere.

                                                                  for Gary Davis

 

QUIET UPRISING

 

 

Fresh after-storm clouds,
of shadows climbing hillsides,
evening moon on snow.

 

BEFORE THE SHOW

 

 

The stage is set with
few days between rains
in years between droughts—

green hills hang fire,
begin to breathe
before they flower.

Knee-deep white egrets
comb blades of grass,
step lightly slowly

as tree frogs gather
to rehearse
an all-night chorus.

 

VALLEY OAKS

 

 

Last two hundred years,
six days afire—forgotten
ash and sediment.

 

SNOW’S RETREAT

 

 

Purple clouds up canyon,
an armada approaching
white skies at dawn…

battleships burning pink,
fleet afire and fading
into a bluer sea.

 

PIGEON

 

 

                                                                                                           The gods
                                               abhor halters and stirrups, even a horse
                                               blanket to protect our asses is forbidden.

                                                                   – Jim Harrison (“Poet No. 7”)

Handful of mane, wrap
of hair gripped and entwined,
I plowed the pine duff on the Kern
with my chin loping back to the picket line,
bell mare clenched between my legs
when she shied.

                    A pigeon-toed bay,
                    my legs and heart
                    grew into.

A plucky kid
leading mules and people

                    over granite scree
                    to snowmelt meadows
                    framing heaven’s
                    blue-cloud reflection

I could have died
half-dozen times
were I not so close
to the hands of gods
and goddesses

that may have placed
a rattler in the corner of her eye
for entertainment.

                                                  for Bill DeCarteret

 
“Mountains, Mules and Memories”

 

DAY FOUR*

 

 

Burning twin Valley Oaks
gone dead in the drought,
undermined by the creek—

four-foot trunks
of smoking coals
two or three centuries old

stirred with the skid steer
three times a day
religiously

have left a hole
in my tangled world
across the creek

I cannot replace:
timelessness trapped
in mottled shadows

embracing me
each time I passed
beneath them.

 

 

* Really “DAY THREE”, (today is Saturday, not Sunday). Excused from Jury Duty, I lit the fire Thursday morning after Erik Avila pulled the trees out of the creek with an excavator for Kaweah Delta Water Conservation District on Wednesday.

The ranchy part of this common confusion for us is that we’re busy, we work at something everyday, doing pretty much what we want—no “hump days” with weekdays and weekends pretty much the same, we tend to lose track of what the name of today is. That’s my story and I’m stickin to it.

 

MONUMENTS

 

 

Facebook loading chutes,
peckerwood and pipe
from another time:

bob-tail horse trucks
tilting steep and slick
imperatives

that haven’t changed
when it rains
familiar profanities

from unclear skies.
I have outlived
their usefulness.

 

BUCK HUNTING WITH SLICK

 

 

TV insanity,
old men posturing
Twitter and Facebook—
I expect the world
to make sense
like Shakespeare’s last act,
                    not of an age
                    but for all time.

My metaphors are wild
company, retreats
I might better know
in deep seclusion,
tracks to follow
and fill with form
to stand as proof
before me.

Like Slick Sweeney
packing a broomstick
to shoot his buck—
left horns and guts
intact, hide and flesh
looking back
to leap clean away
when he said bang.

 

SIGNS OF PLENTY

 

 

Low snow up canyon, cold
rain at dawn, vernal pools
in the pasture stand full
waiting for Wood Ducks,
waiting for spring.

Sycamores stripped naked,
their white limbs wave
from across the creek
upon these ponds of water
in the evening sun.

Headlights slash the darkness,
a caravan of jeeps
and 4-wheel drives
whine down canyon—
weary songs back home.