SOME DAYS WE HAVE TO GO

Black cows fall out of Buckeye shade
with fat calves looking to play – like
visiting the relatives, screen door slamming
after umpteen kids as mama tries
to reinforce discipline, establish
who will investigate us first.

The steep hills leak and pool between
outcrops of granite, cracked and crumbling
speckled bones dressed with lichen
upon the worn and weathered – hidden
snow melt bogs of clay beneath
spring grass contemplating deep tracks.

Slow to show upon the green,
Pretty Faces and scant splotches
of poppies, scattered Blue Dicks,
Fiddleneck and sparse Snowdrops.
Spring has yet to buzz and bloom,
to hum the first hymns of heaven.

There is no yearning, no crying,
no needs among delighted souls,
except for salt, like waiting for
fifty-pound blocks of hard candy
to sculpt with tongues in weeks to come –
there is no distress among the natives.

CHEROKEE LADY

Programmed now to check email before daylight,
I had forgotten how young we used to look
as I open a Kris and Rita birthday wish duet
on Facebook – from a friend I’ve never met,
having just survived my one more night.

Wet spring, forty-two years to the day, I walked
with camera along the creek beside thick trunks
of sycamores and the trapped, high-water pools
reflecting naked limbs, clouds and Canada,
making swaps in my mind.

Those trees, born before Sir Francis Drake
found Nova Albion are gone, clear cut for gravel,
like all the lives since Viet Nam for wars
that couldn’t defeat, contain or destroy ideas.

At 63, I am programmed to write, find binary solace
in lettered synapses chasing chips through cyberspace
for open minds – my quixotic quest into
the friction of science I won’t survive.

Joe Bruce calling from Colorado remembers,
oxygen bottles by his side as he re-rides ‘Old Blue’
on the phone – his new, 17-hand palomino gelding
going back to ‘Man o’ War’ 14 times. He can still
walk out, turn around and get his cows in by himself.

Kris and Rita, you can tell we were all in love
with something within – one another then – long looks,
making music, riding voices high into the wind.

                                                        for Richard Blaustein

IN SELF-DEFENSE

Easy to get emotional on the Senate floor, misspeak
extemporaneously to take the snipers’ potshots while
trying to save the arts for humanity like a little girl lost

in the crossfire, or before investing more on war.
Katrina came and left New Orleans underwater
slick with oil. New England fracks for natural gas

and Fukushima leaks real radioactivity to California’s
happy cows. Still hungry for energy, it’s difficult
to live in the moment, as we wear ever-changing fear

and panic like uncomfortable underclothes, like
sackcloth. On the surface, we exchange living green
for speed and comfort, swap our aching knees and

yesterday’s horses for more horsepower mid-stream,
planting houses in the San Joaquin that used to feed
a more patient population. The sun will dawn despite

our hopeless battle with the clock, despite the weight
of addictions we can’t escape – I write in self-defense
as if there were only moments left to live, one at a time.

                                                                       for Harry Reid

(559) 330-2011

It wasn’t wet December and a season’s worth
of gray rain when I got my secret wish, but March,
in like a lamb and leaving us half-a-season more,

plus our unemployed bulls rubbing thick skulls,
horns and winter hair upon the plastic pedestal
in their pasture down the road – brittle, sun-faded

to a milky green – foreign obelisk, aboveground
junction box for a hundred tangled, tiny colored-coded
wires wound with stripes like bitter-tasting candy canes.

Medusa’s bad hair day intertwined with wet and lush
fiddleneck and filaree that delivered the dead short
between us and the outside world calling, interrupting

my jam jar glass of red with Robbin in the garden,
in the gloaming, our private, slow train of thought
to wait three weeks before calling Verizon.

IKE

‘Barefoot kid in overhauls right off the train from Tennessee,’
she told me, ‘come to California looking for work,’ to Exeter
– The Emperor Grape Capital of the World – a long, lifetime
ago of narrow rows and teams of mules skinned for a dollar
a day. Old to me in ‘56, driving slowly his fairly new, green
Chevy pickup full of vegetables, crates of lettuce, melons
and fruit from the alley where the red brick Safeway stood
for prosperity, when he passed by the bus stop in wet, winter fog,
to wave between his place and theirs, between the big house
surrounded by roses on Marinette and his twenty acres of citrus,
alive with roving bands of multi-colored chickens stirring leaves
with the meowing peacocks (less the one on the chimney Granddad
shot and had hell getting out), stray pigs, goat and milk cow
mowing weeds – a free and loose menagerie making a living
in the orange grove growing around his house and poor corrals
where he fed spoils from town. On cold nights with smudge pots
lit like glowing soldiers, their red-feathered hats down every road,
around every orchard in the frosty black, stars twinkling quickly,
roar of wind machines, flat-head Fords with props on towers turning,
stirring the air, Dad and I would visit his lean-to shed, straw bed
along the road, brandy and his two red-bellied sentries posted
to keep him warm, that finally caught fire – bright ellipse over
silhouettes of orange trees – we drug him out alive. It was
the dirty cheesecloth when he skimmed cream every morning
that inspired the new bathtub she ordered and had delivered
to his house and her walk next door, some months later to
investigate why he was not clean. Chickens pecking at
the table, billy goat beyond the open door she found it installed
outside to make moonshine. Saved his money and died a millionaire.

RELIABLE FRIENDS

                              …close, reliable friends
                              in the earth, in the air, in the rock.

                                 – William Stafford (“Father’s Voice”)

Go hear the voices echo
from common ground, watch
metaphors unfold, alone –
and close like petals, day after day
before they die to scatter, ripe seed
for rains, months or years away.

Tom Homer got the credit
each time my father said,
He looks, but just don’t see…

                              a nod or intonation
                              after years of repetition
                              planted in our brains
                              as a landmark to go by

whether riding fence for wages
or surviving the future – each twisted limb
has something sure to say.

Among them, there are no lies.
Deception and miscalculation, yes –
but all the truth that has endured
our wild imagination is still alive.

HARRY

Runt of the litter, long-haired gray tom
that will never make it here, bent tail
riding parallel beside him, you plugged

into whoever’d take him –
now whines high on a log end
beneath the gutter in the rain, alone
disgruntled with the weather.

His family has abandoned him again –
not even the dogs are interested
in a stare down, each meow complains.

OUR TIME

There is no mistake that we are here
to work together, to hold the fragile in
abeyance and focus on routines we know –

to care with sure and calloused hands
and sort unspoken grief to unseen pens
to haul home like our own stray cattle

when it’s done. Scattered by distance
apart from the world and its tragic
consequences – its sad ambitions

and addictions – we come to celebrate
and revere our skills with the unpredictable
and rise to persevere as one. Sometimes

the heart, or is it the soul that shudders,
or is it the moon at its perigee that pulls
emotions up like swirling tides around us

that we dare not speak for fear of hearing
our own voice quake? Is it age worn thin?
We work around raw and tender parts,

find new ways to hold our rope and rein
until time heals the hole in each of us –
neighbors for a long time – it is our time.

WHITE FEATHER

The branding pictures show gray
on most of my face, translucent quill
of Great White Egret stabbed

into the band of a worn black hat
among the young men – boys really,
full of it – all that tension stretched

like calves between horses and saddle
horns, turned loose to find its way.
Mostly, I forget – wing feather streaming

jauntily – an oxymoron on creaking knees
overlooked as another evolving casualty.
Like your bouquet of turkey feathers

we collected, scattered in the grass,
reunited in a living room vase after
a frantic death, each new feather

becomes a sign of surviving friction
in my mind – a prolonged life worn
with respect and envy for flight.

PORTRAITS

How he had hoped his words might
turn a smile, eyes cast down to rise
and meet somewhere beyond

with something new to share. But
she hid her face behind her hand
instead – as he stared off, pursing

lips into a silent whistle, picturing
it all again, replaying and weighing
each enunciation, wondering why

space between their horses grew.
Portraits, not wide-looped long-shots,
but up-close expression zoomed

across the pen through loose reins, tight
ropes and smoke to the peripheral asides –
faces to later read between the lines.

February 6, 2011