drycrikjournal

She has arrived with wind and rain, singing
gusts lifting leaves first up, then down canyon
after weeks of trapped gray haze silently holding

the other world at arm’s length, a dull weight
blurring details, concealing brown hills of cattle—
after weeks of blind confinement I watch gray

clouds sail between ridgetops, collide and collect
into a roar of hail to pelt the metal roof. She is alive
and full of dark emotion loosed roughly upon us

all, undressing trees, last year’s dry leaves
hung on, patiently awaiting this crescendo before
circling the sun, begun once more with storm.

She walks the edge of violence, this canyon her cauldron
of low clouds stirred with a pinch of fear, bare oaks
swim against the wind, wild door cracked to swinging

off its hinges as we ‘ooh’ and ‘ahh’ like children
through the window from the woodstove. After
she moves on at dusk, I want to watch a movie

with rough ‘n tumble characters, broke horses,
good cattle, gunplay and sex, no advertisements
and a jug of wine to cap and celebrate the day.

All shades of gray, low clouds race
up canyon at first light after an all-night
rain, a tinge of green between the fuzz
of last year’s feed, short-cropped,
bleached-blond tufts upon steep clay slopes,
red as wet mahogany. I smell all the old souls
turn upon the wind gusts howling gleefully,
upon the log ends, their rise and stretch
finally free of their encasement, hills
like concrete holding skeletons of trees
in place for hawks for centuries.

These old Blue Oaks, charcoal gray after rain
gathered to the shady side of every draw,
have seen all kinds of weather, evolved
to survive and give back more
than they take away—bare circles of dirt
stirred beneath where deer have pawed
before the cattle and feral hogs, woodpeckers,
jays and pigeons, squirrels and rodents
between occasional bears come pruning.
They have fed us all, one time or another,
remained in place for emergencies.

Have I forgotten my lines on stage,
so engrossed in parts that others play?
So sad, so enraged, have I forgotten
the earth that serves us everything?

Beyond my sight I see the places
cattle congregate and call, not for feed
but for my being, silently—not for
company, but for the feeling:

doing well beneath the hawk’s
wing, the brown eagle’s glide
above blue oak and manzanita
clearings. I hear a calling.

                                                                                 I love
                    this misfiring of neurons in which I properly
                    understand nothing
                                                            – Jim Harrison (“River IV”)

All the loose wires on the floor, the tangle
in dark and dusty corners, saved or forgotten,
left raw or undone when the synapse jumps,

when the air is right, crisp before a rainstorm
or just after, inhaled just enough to forget who and when
we are, where the outside takes us in and we become one

of the naked oaks waving on the run, like woodland children,
dry leaves at our feet where we built forts, dug foxholes
towards China, deep and wide enough with GI shovels

to sink a tractor beneath great walnut trees, ammo
the gleaners missed when I stuck the pitchfork in your arm,
the purple dot on its underside, short of through.

Bare wires of emotion, all the incomplete circuits set aside
for these moments, if we’re lucky, fire into a fleeting
lightshow when all or nothing makes unusual sense.

                                                                                for my sister, Ginni

We have come too old for wishing wells,
too long in tooth to wait for sympathetic gods
to ease our minds and hearts, too impatient now

to endure their juried verdict that is still the only law
where coyotes lope looking over their shoulders—
where time and gravity never sleep and wear

their work clothes everyday. Yet there are places
to hang a dream, become small and overwhelmed
with awe, weightless moments that shroud all things

for awhile. Save and savor them. Man’s progress
cannot break away from conventional currencies,
cannot shed its shackles to stockholders, cannot

rest until we consume and commercialize
every secret hide-a-way. You are on your own
to learn to float and soar like hawks in spring.

Fences and corrals, we have left
tracks of old people going slowly—
not a bovine thought of escape,
we have more time to walk
out of respect for all of us:
cattle, horses and human thought.
Tight wire and gates that swing
are luxuries, wages for the moment.

Someday, bankers will come
with some young buck dressed
to whip and spur, to hurry time
and change the landscape into
that Wild West dream they share
of pioneers, improved upon with all
the obscenities of modern times
and plant them here forever

beside the slick rocks near the river,
near the creek, near the spring, atop
all the long moments women ground
together: daughters, mothers and those
before them—a crescendo in common
swirling towards a waxing moon
over Sulphur that still rises above
the most recent magnificence of men.

                                             for Hussa and Hasselstrom

                                                                        where once I could
                                             have been a ghost for all the care
                                             I paid to flesh and bone until
                                             some hunger turned me home.
                                                          -Wendell Berry (“2005, III”)

                                                    I

Choosing light shoes, I’ve let my spurred and ready
Boulets stand outside the door for days, dusty, empty,
twelve-inch uppers like the bottom-end of the headless
horseman, dare spiders and scorpions until I’m needed
horseback. Gone are the days I was a careless ghost
keeping three rode down.
                                                          How hunger for the dirt
draws us closer to the fire, old bones cold and slow.
My feet slide now, closing contact with this earth
where I once flew with wild gods scattered, making room
for a roughshod dance against the wind upon my face—
against the odds, or so it seems, on this piece of ground
along a creek between steep hills that claims my flesh—
the dust of lifetimes since inhaled with each breath,
this ground claims my eyes as our dark lens to see
between dry stalks of grass and to look beyond the limbs
of gray sycamores. Their curled bark peels like skin.

It’s all I know for sure that calls me closer to home, like
the young boy hurrying before darkness falls around him
to family, food and fire to warm and absorb, comfort fear—
but now there is no fear, left alive, to drive me any faster.

                                                    II

Yet even this old earth stirred by harsher generations
of men and beasts, even these old trees and rock dressed
in lingering myths become new to me, each moment fresh,
richer now than ever I could imagine without conclusion:
other than it will go on with what we’ve taken, and left
behind, after it takes us in as it always has. That is
the wonder: breaking trail beyond the well-worn groove
of contemporary urgencies—each twig’s snap, proof
and protection—I am called home by circumstance of age
and it welcomes me.
                                                          This is a cowboy’s calling
that dares and wears the flesh into old cowmen, if
lucky, the measure of which grows greater daily,
a marvel in this age of consumption, belching fire,
to be embraced by the boughs of oaks, see from a hawk’s
wing and dance slowly with the sycamores along the creek.

I watch the horned bull plod, have pictures young, him
dwarfing me, a mass of Hereford muscled calmly,
he strides slowly now, keeping cows in sight. We share
a peace of mind, that endless space reserved for old men
listening, hearing only parts of tunes that keep them fresh,
catching better glimpses of the permanent inhabitants
making the proper preparations for all our lives here.

Before we multiplied in our minds,

memorized the product of two
simple numbers, usually naked without
the baggage of emotions, clean and sterilized
figures crossed together, bred together
for one, and only one, right answer—before
we came civilized, we watched clouds

change shape, lingering after rainstorms
against an endless clean and blue sky—
the stage where new stories played out
in the afternoon when children took naps
and dreamed of possibility. Some of us
never came back, and some pretend

they’ve always been in Numberland.

The dilemma here, of course, is how
without a diagram,
without the sense God gave a cow
or trust He gave a lamb,

to graze that ground man can’t plow
into a traffic jam—
the dilemma here, of course, is how
when no one gives a damn.

I used to think there were two sides
to every silver dollar,
but more and more to my surprise
their gaining cash and power.

And in due time, they’ll have it all
before tomorrow’s born:
new babies with a margin call
on oil, or gold, or corn.

And when we hang our saddles up
and turn the remuda out,
no bell or whistle will interrupt
what we’ve been all about.