OPENING ACT

We’ve seen these years, here:
frosty, slow dances on the horizon
as cows grow thinner. She shows
a little leg and throws a lusty look
long distance, then comes close
to exposing a great billow of clouds
as she bends to whisper something
that rhymes with rain.

We are too old for this charade
of goddesses-in-training, neophytes
stretching like willow limbs
upon the ridgeline, like rock
wrens bumping the earth
to flit away. We need
the real thing: a prolonged
storm to run the canyons.

They’ve had their practice,
entertained the cowboys slumped
at their tables, long-drunk
with anticipation. Rumor is she’s
resting in her dressing room,
has a migraine and may not make
the show tonight. At this late date,
all we know to do is wait.

MULTIPLE CHOICES

                                                When she sleeps
                                                Everything depends
                                                On all the wheel barrows
                                                Except the red one.

                                                      – James Galvin (“As Is”)

A hard life of war and pestilence, I imagine
urchins and ragamuffins á la Dickens or Swift,
poverty and hunger, rancid blues on every breath
across the tracks in the old part of town—
I don’t know. I don’t go there anymore.

And I don’t see the boys I went to school with
either, each with the accouterments of their success.
Perhaps it is the railroads that divide us,
East and West, fulfilling promises to anonymous
stockholders and high-paid athletes.

But in between, she sleeps this side of the moon
rising, quivering in the perforated blackness.
Her silhouette, a supine range I see breathe
some evenings and I imagine generations
of women who have watched here before me—

and believed. That is the crux of it, of course,
believing in more than rich or poor, seeing
the pieces in limbo lean together and hold
until she awakes, stretching into dawn
with each turn she makes around the planet.

And first light, the crow and hawk sweep
the yard for casualties and the tardy.
A coyote studies a calf left alone.
But not all of our totems report for duty—
there are some that wait to surprise us.

FEBRUARY

There is a place in the calendar
when a season rides on a whim—
it could be a white, winged-Pegasus
on the muscle without a bridle,

or a tiny low off the coast
drawing moisture into
a growing vortex spinning sheets
of rain to start the canyons,

to keep the grass alive—when the future
teeters for a week or so about the time
the Turkey Vultures show in pairs.
Two or three more and spring is over

before it began and the cows
bring their calves down early
off the mountains for adoption,
when we all look to the sky

for a sign. The ground squirrels
quit playing grab-ass for a moment
to study the near horizon, listen
as rattlesnakes wait on the edge

of their dens for the weather
to make up its mind, as if it had one.
But we’re not riding blind—
any kind of pagan sign will do.

ALONG THE ROAD

We might as well be rare birds
occupied off the road, a dwindling species
keeping to itself as the world speeds by.

Behind the wheel, that great invention,
it has all it needs now to save time
on the other end of its destination.

Pickup loads of toys stream upcanyon,
primal music thumping all the way
to places we don’t want to go after

watching the troops retreat at dusk,
limping home. It must be like a war
up there in the mud and snow.

We work around the fire, a fine discovery,
pulling irons and calves together,
stirring coals, retelling stories after

while the meat cooks, before we forget
our place in these mountains that
have shaped characters and rare birds.

BRANDING THE WAGYU

It’s dark and I think of all the branding fires
in barrels, 55 gallon drums yawning smoke
outside corrals, handles waiting, reaching in—

and the one I’ll start with an old Western
Livestock Journal
and redwood kindling split
with an axe, a little diesel added to short chunks

of dry Live Oak, belching flames. How we get
to white coals doesn’t matter to anyone but me.
The calves sleep quietly with their mothers,

like any other dark morning, unaware
of what’s coming, dodging long loops
and whoops of men before the iron

and vaccinations, tag, ear mark and castration,
nasal swabs of DNA on cards and nubs of horns
removed in less than two minutes of their lives—

like going to the doctor. When it’s over
they’ll tell their mothers while being licked.
But by tomorrow they’ll forget it ever happened.

TO PULL A PUMP

Never born knowing how to run
like fuzzy killdeer and quail,
nor how to crawl like frogs,
or swim like tadpoles and fish,

we heard from the old men
and learned the hard way that
if you want something done right,
do it yourself. But what could we know

then? Now we are the old men
with more jobs than we can do easily,
or well. While we pull 220 feet
of submersible pump hand over hand,

a distant neighbor asks,
‘Don’t you have a Mexican?’
At 74, you grin back,
‘We are the Mexicans!’

                                                for Clarence

IN THE DIN

We have given up our silent space
and sold it for security, for the sounds
of machinery and ever-ready contact—

the oil shale rigs and cellphones
are closing in, there is no distance left
where we might walk alone

and talk to ourselves, no quiet time
where we might hear the echoes
of our fathers and those before them.

Who are we now afraid to be alone?
afraid of loneliness and that process?
Who will we become but children

in cages waiting for the piper
to lead us out of Egypt
unable to think on our own?

 

Checking in on my daughter’s blog forthe archives, I’ve begun to weigh-in with questions close to home, concerns for a long time that triggered this poem.

FIRST-CALF HEIFERS

As if we never left,
the cows remember us
as we gather to brand
to the pasture they

first calved. At dusk,
the whole bunch comes
to stand at the fence
to listen to us plan

the week, food and crew
and who can come to help—
as if they’d never left.
Feeling close and safe,

they’ll spend the night
on this fresh feed
and dream as if
we belong to each other.

 

2/13: Adding to the electrical problems in the kitchen, flat tire on the Kubota, helping Clarence pull 220 feet of 1″ tubing with 1 hp submersible pump to replace with solar yesterday, our dear heifers broke a water line to the house.

Few Words Spoken

 

 

We’re just beginning to learn to take and incorporate videos for the blog. We kept this one simple, without close-ups and from a distance. Robbin had a little time to catch us sorting cows from calves before Jody Fuller’s branding began.

IN THE SHADOWS OF ELKO

You will never hear the late-night
conversations in motel rooms,
or guitars picked and strummed
without the stage lights

                    and never learn to listen
                    before asking questions
                    for the folks in town—

on assignment in the cold and snow
to get some news in God knows where
to sandwich between silly ads
and the latest mass murder.

                    The camera hums—
                    and all you want to hear
                    are poems about guns.

 

Hoppy.IMG

                                                                                for Al Jazeera