Category Archives: Ranch Journal

Conundrums

 

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Our springtime activities can seem confusing. Around the house, barns, corrals, and gates we use frequently, we spray weeds. Though the grass species are essentially the same on either side of the barbed wire, the fence arbitrarily determines what are weeds and what is feed for cattle. It seems a bit sacrilegious, even to me, to be spraying weeds in a business dependent on grass.

Routine for so many years, I have become obsessed with the distasteful job of clearing the grasses that can hide rattlesnakes where we work and live, or make the difference of losing a barn full of hay to a fire. I am relieved when the job is done—and confess to enjoying watching the weeds die along clear lines of green and blond.

The grass was high in the small pasture in front of our house, so we let our second-calf heifers in to mow it down. Robbin and I enjoy having the cattle close, watching the calves grow and play. At first, they’re nervous, but after a couple of days they come into the pasture, morning and night, as part of their grazing routine. Checking-in, they seem to enjoy our company.

Readers may remember the planter we built last year to start our bare root raspberries. It looked a lot like a feeder for cattle. With so much grass, I didn’t think that our thorny raspberries would interest cattle, but the calves have become addicted, bucking straight through the gate for the raspberries’ new growth. But we seem to have hurt their feelings, bunched at the gates last night, confused with why the gates were closed.

 

Stellar Jays

 

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Well out of their territory, a pair of Stellar Jays moved in late last fall to spend the winter. Like the bears, drought conditions at the higher elevations have probably brought them here looking for food. These two are not as humanized as what can be found around High Sierra campsites where they can be a squawking nuisance, literally taking food right off your plate. With others on the ranch, I’ve never seen Stellar Jays this low before.

Our mornings are a flutter of birds getting breakfast, the usual finches, sparrows, killdeer and quail scouting nesting sites, blackbirds and phoebes busy in leafless trees. It’s not quite spring yet, but with urgency in the air. Taking coffee with my camera as the sun breaks over the ridge presents some tough lighting, and I’m learning that photographing birds is a bit more of challenge than wildflowers that only move when the wind is blowing.

 

HERE

 

jddc1

 

There might have been another way,
other people, places, things—more or less
obstacles to overcome, rest upon—

but no straight line, no short cuts
across the board to get to this spot
along the creek waiting for a rain.

I believe the weatherman, refresh
my contact with the goddess,
send my love in letters, words

rearranged to attract her
attention, but I’m no lackey
to scrape and bow, grovel at her

pretty feet. It’s not the same as before
she left without a sign or warning.
There might have been another way:

studied harder, charged more
for a shorter trip across the board—
but how could HERE ever be the same.

 

THE SONG

 

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It’s not about you—
and not about to change
the weather or politics.

You are helpless,
at the mercy of the swirl
of elements colliding,

ricochets and explosions,
occasional clear views
of space and landscape

that keep you leaning forward
into the sun, your shadow cast
upon a fading track of small

accomplishment. After a rain
every tree frog sings
as if spring depended on it.

 

ANOTHER SIGN

 

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On the semi-arid edge of jet streams,
already rattlesnakes and dust in the road
framed in rusty Fiddlenecks and green
filaree, lush as lettuce. Hard shell of clay
and granite bring us off the mountain
through the bluff of fractured boulders,
blue lupine spears in pockets of golden
poppies grinning, open to the sun.

I forget the year, but it was March 3rd
I killed two below the den beside
the steep and rocky draw to Buckeye,
that waterfalls after a good long rain—
the earliest ever, sunning in warm dirt.
They have no calendar, no date circled
to leave the medusa tangle, brittle rattles
brush in a black hole. No fan of fear
fogging climate change—another sign,
a new extreme for snakes: more days
to make a living between shorter vacations.

We add the signs, the trend is dry, despite
El Niño late to work as south slopes turn
summer blonde and brown. Two months
early to be thinking: weaning calves—
we take instruction from grass and water.
We may be sipping the last of spring.

 
February 25, 2015

 

WE ARE THE DIRT

 

California Jewelflower, Caulanthus californicus

California Jewelflower, Caulanthus coulteri

 

1.

Like hay to cows,
we bank good fortune
in the ground

building fences
and pipe corrals
as if always

there will be cattle
grazing grass above
our scattered ashes.
 

2.

Our gods and fickle
goddesses rest among
generations,

and we with them—
have no legions
to wage wars,

and promise not
to new converts
what they already have.
 

3.

We are the dirt
we’re rooted in,
look to the skies

for any kind of rain
and granite cracks
of snowmelt leaking

to stay alive—
to give good fortune
back to this ground.

 

Earl McKee Photos: Greasy Branding III

 

February 10, 2016, 75°, big calves, great crew. Thank you, Earl!

 

GOLDEN POPPIES 2016

 

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The Roadrunner’s cry like a hawk
has changed to deep flute songs
calling spring like Kokopelli

in poppies on Sulphur Ridge,
wildfires spread across the green
where snows have lain.

Always his drawing in my mind,
these golden slopes he climbed—
the poem wrote before he died

too young, thirty-five years ago.
Sulphur sings his song today,
remembering all we can’t forget.

 

‘Spry’

 

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JEG:

Despite January rains and El Nino prognostications, we’ve hit a typical winter dry stretch. Instead of 2 weeks warm and 2 weeks cold sometime in February,
the month has been warm, half the days thus far over 70 degrees. Relative perhaps, the trend is dry with expectations of an early and short spring. Stock water resources have nearly recovered, with more grass than cattle after four years dry, we should survive the coming summer and fall well, a familiar concern more normal than not for spring. Our country looks good, wildflowers spreading like wildfire upon the green, snow in the Sierras 1,000-1,500’ higher than we’d like to see. It will change quickly if the mid-70s, without rain for the next ten days, come to pass.

Garnered from branding photos, my ‘looking spry’ has connotations reserved for the old, the aging and antique that startle me, yet somewhat gratified that I can
still rope and ride. I was the old man in the branding pen yesterday with Brent Huntington’s uniformly big calves. Once untracked, I roped well, probably better than when I was younger worrying about how my horse and I would perform in the corral. Nowadays, the challenge is to be some help. On the way off the hill looking down on Three Rivers, Robbin and Terri compared my ‘style’ to that of the old timers, the generation before me, a compliment. To have an effective ‘style’ is beyond any expectations of the last forty-five years of branding calves, what has become more of a mindset apart from just catching that favors first the horse and calf.

Now sorted-off with the elders in this business, what did I have to impart over steak sandwiches and beer instead of politics yesterday? Be grateful that you don’t have to punch someone’s time clock in town, or commute to work, or have to listen to the noise of human neighbors, sirens, traffic. How much of the politics of the world actually touch us here in these hills, change how we have lived and worked over the years? This is another world, a forgotten world we adapt to, and no matter what the majority decides, what laws it passes, it has to eat.

So yes, I have been granted a little luck, to ‘look pretty spry whether tossing a loop or wielding an iron’.

J

 

WITHOUT THE DRY

 

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How many years have I
to wait for spring’s deep green,
the damp and dew, tender cotyledons

fresh as nested bird beaks open
drinking sun before they rise
in waves upon a breeze—

and flowers, like bright paint spilled
upon them. Ubiquitous Fiddleneck,
molten brass between the oak trees,

white skiffs of popcorn flowers,
splashes of red wine mallow,
the purple haze of lupine

and wild onion to rise like steam
on the horizons, colonies of poppies
in pockets out of reach to burn

like wildfire blind the eye
at a distance. The pale and delicate
families of Pretty Faces pose

for photographs, petals and stamen
of pink and purple mountain garland
twist in ecstasy before they fade.

Younger, I yearned for everlasting
spring, something almost heavenly—
yet nothing without the dry.