Category Archives: poetry

MARCH HAIKU

On top of the world
the fat calves are curious—
nothing else to do.

MINING THE MOON

What has happened to the world,
the people, the planet,
now that we can measure

parts per billion,
the distance in light years
to the nearest black hole.

Crowded in corrals,
we are bent beneath the weight
of useless information

shouldering our way
to the EXIT gate
to shed the burdens

of mind and flesh—
lifetimes spent
trying to escape?

What has happened to the world,
this magic planet,
its Mother Goose,

her golden eggs
the rogues are after
mining the moon?

TANGIBLE FANTASY

When the rains come right
and knee-deep green feed hides
beneath Fiddleneck in the flats,

we forget the bare, baked slopes
cut by dusty cow trails plunging
to the murmur of the diesel truck

spilling alfalfa flakes the length
of undressed pastures—lost bawling
calves and slow thin cows.

So blessed to have disremembered
the lean dry times, we believe
the miracle is normal, that Hera

and her daughters will set-up camp
and stay a fruitful future for man
and beast, creeks in the canyons—

a tangible fantasy for the thriving
when the rains come right
to change our way of thinking.

WAITING FOR THE STORM

Early spring garnish
before a mid-March rain,
wild colors claiming

lush shades of green
that cattle finish grazing
by eight o’clock.

Everybody feels
what’s coming,
despite the sunshine—

despite the rattling
of sabers
from would-be kings.

DAYLIGHT SAVINGS

Dad claimed it was the politicians
far away from farming
that saved day’s end for golf,

adding another hour in the field
to get the harvest in
as summer days grew longer.

Just like a bank,
sunlight loaned for how to spend it,
work or play?

Now no matter which
we still change hands
on his vintage clock.

Snow on Sulphur





Snow comes off the mountain
on the backs of trucks,
white caps on compacts

like trophies
to melt on roads
into town—

cold hands
shoveled dirt driveways
steer downhill.

SPILT PAINT

Our canyon gleams
with sunlit shades
of rejuvenated green,

dirt tracks damp
after rain, white skiffs
of popcorn flowers

primed to usurp the flats
and gentle slopes
to divvy up with gilded

fiddleneck before the blue
lupine and golden poppies
display the sloppy guise

of springtime’s spilt paint
for photographs, daydreams
and April showers.

ON A GRAY DAY

1.
Crows circle,
coyotes skulk
and a Red Tail watches

on a bare oak branch
for a ground squirrel
to wake and warm

atop a rock at dawn.
Everybody’s hungry
in February.

2.
Cold marble ceiling,
precursor to another
stream of storms predicted

to test the levees,
erase the landscapes
of man’s mistakes,

but likely missing
a golden opportunity
for humanity.

3.
The imbalanced weight
of man’s achievements
and herded hostilities

wobbles the planet’s
tipsy equilibrium
between war and peace,

the struggle for power
over Nature
to right herself.

LIKE A WINDOW

Mt. Tamalpais – L.E. Rea (1868-1927)



There are no windows on the south wall
to let the sun’s heat into a hot summer room,
but a 3’ x 5’ L. E. Rea painting framed
of Mt. Tam I thought was Montana
when I was a boy in my grandfather’s house
hanging above the mantle over the blazing,
hairy arms of grapevines pruned, hauled
and piled for the winter by the barn
with the remains of corrals for draft
horses and mules back in the day—that
my sister and I damned-near burned down
playing with matches. The fire trucks came
at dusk from town, sirens screaming closer
before I ever saw the flames.

Sunlight through mottled clouds
on the hillside near begs my eyes to stay.
Its bare, steep peak drawing me
from my desk to the south wall
like a window to a better place.



YELLOWSTONE MYTH


The TV cowboys have the best
scripts, estates and corporate jets
to glorify an endangered West
planted with ranchettes

like Jimson Weed
to play make believe
with 100 X beaver lids
and Lucchese boots

no cowman could afford
for looks to match the myth.


https://inthesetimes.com/article/yellowstone-tv-show-finale-gentrification-development-west

 

Comment:

I live within minutes of the Dutton Ranch. It was/is a cartoon of itself long before Hollywood “found” it . As it was “built” on the same mythology before “Yellowstone”  it is NO surprise Hollywood found it perfect for the perpetuation of the myths.   That it is in the Bitteroot Valley, portrayed as Paradise Valley actually on the Yellowstone River , not the Bitterroot River is the least egregious offense of artistic license.

Yes, the perfect set and backdrop to advance the mythology and to pump in enough cash for a few years to “jazz up” a very poor local economy, enriching a few while leaving them detritus of unaffordable housing and other long term burdens that go with ALL boom and bust cycles.

That the “series” collided with  a pandemic driven, house bound, binging viewership was an unfortunate coincidence.  That, along with the ridiculous home prices in some places fueled a mass migration to seemingly cheap relocation opportunities.  The migrants arrived with mountains of cash and the beatific notions of their new “home” grounded in the mythologies absorbed from a screen that they continue to be glued to as the beauty of the real Montana is paying the exorbitant price for simply being beautiful; as if there are NO other considerations.

“They” know not of what they’ve wrought.

-jegrant47