Category Archives: Poems 2012

THE COUNT

                         At least I know where my orange trees are.
                                   – Todd Dofflemyer

Cold in shade, in canyons,
or on the backside of mountains
where strays won’t stay between

sunlit ridges—like finding horses
at Five Lakes, in the Tamaracks,
standing in the first light of day.

How many pairs of boots
did I wear out tracking pack stock,
hearing the bell in my mind?

But always that moment alone,
empty-handed, searching,
sorting sign for the illusive truth

when we become boys again,
helpless and humbled
by circumstance and time.

Spreadsheets don’t fit
uneven ground that swallows
livestock—that seldom match

what’s in the corral. This is
no business for accountants
when the numbers move

to breach columns and fences,
or get inspired by the moment
to try an idea of their own.

IN THE DISTANT HAZE

                              Now I carry those days in a tiny box
                              wherever I go.

                                   – William Stafford (“Remembering”)

I feel for pocket-knife, keys and wallet,
handkerchief, cigarettes and lighter
before I pull on my boots, find my glasses

and pick which hat to meet the day’s
surprises, but this tiny box is always
with me. Before daylight, I crack the lid

to see what wants out on paper: a river,
a lake or Sierra pass take shape, pine smoke
curls through cedar boughs and I am

there with coffee before an eager fire
on another cold morning. Here money
buys nothing, and no more than paper

to ignite wet kindling after a thunderstorm,
all other urgencies are washed away, shed
downstream to mix and pool in the Valley—

like the Christmas flood of ‘67, when
they shipped food and freight into Visalia
by boat in May. We think we have

seen extremes, but the San Joaquin
has always been changing—begun
in the mountains, days above it all away.

BURRO CREEK, RIO SAN PEDRO

This is far as I want to go.

                    A series of cascades beneath
                    each tiny pool, clinging
                    to mossy rocks to cast a fly—
                    to catch a Brown. Remember

when you knew, heard
danger whisper in your ear?
Is this where I’ve come to die
so young? It could have been

anyone, any time, looking down
a cliff at death, waiting for a slip—
this place we fished as boys,
miles upstream, leapfrogging
for first cast on fresh water.
We came home with trout
you had to eat on Fridays.

                    My topo map of gray matter
                    where the Middle Fork flows
                    on granite through cedars—
                    my metaphor for everything.

Jeffers had it right, you know:
‘Let Them Alone’. Leave them
to their solitary art. Only a few,
like Maya Angelou, can fly
and fish at the same time.

A GRAND TREE

It happens gradually with time, the red bark peels
like paint, brittle limbs forget berries and leaves
when the roots grow weary of holding it all together.

I’ve been here before, to this Manzanita skeleton
well off the track, half on its side. I see the cut
and know the saw I used on a huge, uprooted other

half-a-stump, limbs all gone. The wind blows cold
and wants to rain miles from home as I start my Stihl,
bales of hay to thin cows fed. One young calf,

a perfect black Hereford cross with featherneck,
bald face, thick white belly and brisket, charges
to investigate, bucks and runs in circles, disrupts us all

to stop sprattle-legged—his curly head low before me,
challenging and bawls. I laugh and talk as if he were
a kid on the street and he relaxes to his mother

and the others that must endure his bully shenanigans.
It happens gradually with time, we grow efficient,
make plans, save steps, haul hay up and cordwood

down the mountain. These limbs I don’t remember
standing haven’t been dead long, bark the color of
coagulated blood—red heart dust from a grand tree.

WIN OR LOSE

                                        Then he’s no longer is an observer. He isn’t right,
                                        or wrong. He just wins or loses.

                                             – William Stafford (“My Father: October 1942”)

Like finding our glasses, FINALLY—we expect surety
to be handy, all of our basic certainties camped
on the nightstand, awaiting dawn like good soldiers.

My father pounded his need to be right into the table—
dishes, salt and pepper leaping to his command.
My brother and I studied well as my sister cried and

we all made excuses about the war and government,
except for mother, she never forgot or forgave him
long. I called it passion, but nothing stays the same,

time unravels even the best-knit tapestry, loose threads
in a breeze or bird’s nest, we’re tied to something
in the end. To follow the thread, I need good habits

to augment short-term memory, to balance necessities
like cigarettes and colored lighters that clutter landscapes,
ashes like town dog leavings on short-cropped lawns,

before I leave the house to face the world of men—
to construct a more common sense from the wild
metaphors and similes, just waiting outside the door.

I LOOK TO THE SKY

The pundits seemed less dramatic,
red wine in hand, asleep before
the results were in. A man hopes

for the best, that the heifers we gather
and process this morning, act
like good children, try to get along—

that we heed what Xiangmei suggested
in Elko, this country needs a lot of healing.
‘Seed Queen’ on the other side of the Sierras,

she has a green thumb, nurtures growth.
I look to the sky for patience, for thin clouds
thickening into rain enough to start the seed.

ELECTION DAY

Our polling place is nine miles away
on the other side of the second-closest town
and I offer my absentee ballot to Robbin

to vote, to double her voice among the two
hundred and thirty million in the U.S., or
the eighteen million registered in California—

half of which won’t vote. We’re inland,
the rural West, a shrinking minority. But
she still believes, reads and studies

the propositions, has an opinion I respect.
I’ll be glad when it’s over, perhaps forget
that this country doesn’t want to work

together anymore, when each of the elected vie
for an invite to every shindig on Easy Street
where it pays to do nothing. What an ego-trip

it must be to have arrived, play the angles
to pay all the contributors back twofold
the old way. Our polling place, nine miles away,

Sacramento two hundred and fifty, and no one
in Washington knows Lemon Cove exists—
our distance much greater than time and space.

STARTING OVER

Progress doesn’t bog you down, weigh
heavily and clutter the landscape, rather it
cleans as it goes into endless time and open

space to balance silence with the sweet
promise of convenience, making room
to plan ahead, options other than gridlock.

We cleaned the shed of useless history
saved just in case, like old farmers do—found
that photographs of young innocence fade

just like we do, relieved to let them go.
Twenty years we’ve done without
three dumpsters full, another ecosystem

for mud-dobbers and black widows,
rats and feral cats beneath a leaky roof.
Next the shed goes, before starting over.

WRANGLER AND STRAUS

                                        ‘Too poor to pay,
                                        too rich to quit.’

                                             – Velvet Clark, (“Gunsight Ridge”, 1957)

With an extra hour gained between Daylight
and Standard time, my body’s clock rings early
to find the black and white ethics of yesteryear

still resonate in both sides of my brain.
Left-handed gun, a piano-playing miner
measures himself with wealth despite

his gentle talent, and so it went in those years,
rebuilding after the war with Joel McRae.
Dinner up the road with pre-teen, twin town boys

revisiting ranch repairs and guns, dubbed
‘Wrangler’ and ‘Straus’, one left and one right-handed
when they shoot, serve drinks to us all

as the fire licks fresh vegetables and swordfish
from the coast. Both love to eat, but lefty
writes poetry, listening to every word I say.

BACKCOUNTRY WAY

                               We were following a long river into the mountains.
                                                  – Gary Snyder (“Journeys”)

On the outskirts of the backcountry,
the foothill hem of the Great
                                                            Western Divide
we head upstream, drifting closer to
                                                            the Kaweahs
where the Big Arroyo falls to the other side.

Ko said, “Now we have come to where we die.”

                    How many aged, hip shot horses finally look up
                    from dreams, asleep on their feet, not wanting
                    to wake into our fenced realities, recalled
                    to mountain meadows fed by Sierra lakes
                    and snowmelt? We saved her once, fallen
                    off the High Sierra Trail, but Jane escaped
                    and stayed the winter on the Big Arroyo
                    with only scattered bones to show.

We become the animals that have taught us
how to forage and gather for the future,
the fang and claw of predator and prey—
we relearn the language and how to think.
We hold no fear of death.

Two young black cows, calves trailing
a long steep bluff of trees and rock
to the sound of my Kubota with alfalfa,
a flat spot in a short canyon cove I own
where I’ve never fed before. Here
I am the interloper without a history.
A gray Prairie Falcon glides low
overhead, treads air to inspect me
in his territory, falls to perch on a clod
for another perspective as the cows eat,
then returns to the top of his oak tree.

When I was a boy, I might have shot him
for a closer look, like Audubon inspecting
the feathers of his handlebar moustache.

                    But now he is my totem,
                    both on journeys upstream—
                    “This is the way
                    to the backcountry.”

                                                  For Sylvia and Matthew