Author Archives: John

ANYMAN

The jokes come snowmelt easy,
off the Rubies, cloudy runoff rising
down the South Fork as we grin
into wind gusts like pickup pups,
slit-eyes watering in a light rain.

                  I haven’t time to trace
                  how I found my way
                  to this strange country –
                  under sea undulations
                  with dirt road ruts
                  forking in the thatches
                  of willows swelling with bud,
                  where naked cottonwoods play
                  dead along the bottoms
                  of the high desert in May.

A quick language of quips, unrefined
and unfinished sentences sprinkled
with double-entendres, flashing eyes
locking, laughing just long enough
to chase the cold river downstream.

No longer lean boys looking for adventure,
we raise families to respect fate, to find
their rhythm on any landscape, to learn
our gods have no bounds, sympathetic
most to those who do for themselves.

It could be foreign gibberish, a lost
native tongue, stirring coals, throwing
sticks upon the fire between us – that
rare communion of common souls
where almost Anyman can be a comedian.

                                      for Tom, Sharon & Travis

Empty Winecups

Winecups (Farewell to Spring), Dry Creek, 5.16.11

PERFECT WORLD

Mid-May, the hillside cut beside the house
leaks a stream, fractured granite patient,
a steep tumble of broken stones frozen

in clay, hanging for a hundred yards to
the top of the ridge where water springs
from hydraulic pressure into fissures

of magma cooled too fast to crack and
connect the Kaweahs, loaded with snow.
How long have they waited, what pebble

slipped to stem full flow, how wet the year
they last moved? Dismissed wonders pale
upon the whole, an army of ants controlled

by queens we serve. They are sexy and
delightful, stirring dreams of magic
and luxury come to power, all the flags

and colored bunting of Camelot sans
chivalry. This perfect world at war
with itself will never be the same.

A PERFECT PATCH

Beyond the window on the hillside up
between the dark green oaks at dawn,
a patch of blond dry feed – grasses

bent to a breeze before the storm.
Even the empty heads of wild oats
are heavy beneath a gray sky in May

and I can trace the well-coiffed track
of a comb from a quarter mile away –
that seemingly untouched perfection

where forty cows have grazed, that
last arch old grasses reach before a rain
lays them down to mat and mold

where I thought I saw two black cows,
calves somewhere else behind a tree,
two dark shapes that have disappeared

now that I’ve leapt there, focused in detail,
and remembering: we gathered them all,
the last pair trailing-in along the fence

tracking her friends, looking for company
other than her calf ready to be weaned –
slightly wild-eyed, suddenly suspicious

of a change in needs, almost completely
self-sufficient, living off the land,
almost perfect if she were a wild thing.

Kaweah Brodiaea

Kaweah Brodiaea (Brodiaea insignis), Dry Creek, 5.8.2011

Prior to the mid-1980s, the Kaweah Brodiaea was thought to have been extinct. Larry Norris, who was conducting a Biological Assessment for the USACE surrounding the Lake Kaweah Enlargement Project, rediscovered it on the ranch. Thinking he was on USACE lands as first mapped during the initial construction phases of Terminus Dam in 1959, he contacted me to get easier access to the location so that he might assess the population of this rare wildflower, that he later determined to be 300,000 – 500,000 plants on ground we graze. Kaweah Brodiaea is now an Endangered Species, and since has been identified in the Kaweah River drainage upstream from Lake Kaweah in the vicinity of Three Rivers. The wildflower has been cussed and discussed profusely as an obstacle to any kind of development in the area.

The wildflower blooms around May 10th, a few days before the more common Elegant Brodiaea and Harvest Brodiaea, and is a paler purple, smaller than the elegans, with petals unlike a wine glass, but of helicopter blades instead. Though I’ve tried for years to photograph the Kaweah Brodiaea, this is my first sighting.*

Elegant Brodiaea (Brodiaea elegans), Dry Creek, 5.8.2011

The Brodiaeas are tough. The largest population of Kaweah Brodiaea in the world is thought to exist within our 300-acre flat that has been grazed for 150 years – and from where the imagery for one of my first cowboy poems was drawn.

DROUGHT OF SEVENTY-SEVEN

It was dry in the fall of seventy-six
and the cows were calvin’ in the dust,
nothin’ to see but acres of chips,
a drought year when cowmen went bust.

Their hides were rough ‘n’ just cover’d bone
‘n’ ribs caught most of your eye,
spindly calves seemed to wander alone
as if lookin’ for a place to die.

Cows were bringin’ two-bits a pound,
a hundred bucks less than the spring,
and all you could do, was throw hay on the ground,
and pray to God it would rain.

Their toes would clack like castanets
in the cloud that’d boil ’round your truck,
the bawlin’ skeletons and weak silhouettes
would bring tears to the drought of good luck.

Reckon Ma Nature’s showed me who’s boss,
as she’ll do some time and again,
but she’s never caused me half of the loss
that politicians create with a pen.

*        *        *        *        *        *

* May 16, 2011 – I revisited the Kaweah Brodiaea to discover that they are no longer in bloom. The Elegans are just getting started. With less than 10 days of bloom, no wonder I had so much difficulty finding them.

GUILTY

We play a game we don’t like,
switch hats to become feedlot boys –
get afoot in the corral once the cows
are parted. Clang! Bang! steel
upon steel crowding flesh, fat calves
channeled head to tail as the chute
ratchets another neck for vaccine
guns, ID tags, fly control and
anything else – we see ourselves
as children, the first days jammed
in school, every muscle hard,
eyes wild – some hurt themselves
and we hate it, hate authority
and all the economic rules that say
we must to stay a horseback.

I look into the big pen, pause
to meet anxious faces of mothers
waiting for their first born
to leave the clatter of confinement,
gathered in the early cool before
breakfast, paired sides already pressed,
nurse warm milk. They are forgiving
and some forget quicker than others –
some more sensitive than we. But
we have acquiesced, become a cog
in a corporate machine, guilty
in our own eyes, in the eyes of all
the old cowboys who never packed
fencing pliers or a pipe wrench,
guilty in the eyes of those we feed.

…as if they knew something

OUT OF DOORS

                        Forgive the hymn, friend. Out of doors
                        it doesn’t count as praying.

                                     – Quinton Duval (“One Bright Morning”)

It may be hours before a word escapes
my mouth across the creek, through
half-a-dozen gates latched behind me

like pairs of quail disturbed for a moment –
over snake tracks and caravans of ants
beneath the inquisitive wing of a Red Tail.

Suddenly, I hear my voice come from
the outside in, a gravelly phrase added
to conclude the conversation in my head.

I have to laugh at my reply in the same voice
before one of us cuts it short – like making
ugly faces, it could be habit forming,

so addictive that I might forever stay
praying like crazy in the wilderness,
talking to cattle and animals, to twisted

trees, perfect springs, ever-seeping – all
who say lots of things these days, as if they
knew something – and someone’s got to listen.

THIS OLD FLESH

Canyons cut like wrinkles on outdoor hands,
each hiding worlds that overflow with life
adapting, feeding, breeding, pollinating seed

and egg in spring, like elongated cities
steaming where water ran. On the shady
cutbank, Purple Chinese Houses civilize

loose, steep soil left by the D-6 Cat, a dozen
years ago to grade a way up a north slope. Deluxe
accommodations, white and purple crowns shade

one another, competing for the business of bugs.
Pink petals of Mustang Clover stop and draw me
with varied accents towards dark centers, sentries

posted, five yellow pedestals puffed-full
of pollen – the open face of each goddess sprung
from a medusa head. The Brodiaea twines back

upon itself in space, defies the gravity of its mistakes –
this old, well-worn flesh breathes with originality,
wild with creativity, with no end of days in sight.

Farewell to Spring

Farewell to Spring, (Winecups, Evening Primrose)