Monthly Archives: November 2012

WRANGLER AND STRAUS

                                        ‘Too poor to pay,
                                        too rich to quit.’

                                             – Velvet Clark, (“Gunsight Ridge”, 1957)

With an extra hour gained between Daylight
and Standard time, my body’s clock rings early
to find the black and white ethics of yesteryear

still resonate in both sides of my brain.
Left-handed gun, a piano-playing miner
measures himself with wealth despite

his gentle talent, and so it went in those years,
rebuilding after the war with Joel McRae.
Dinner up the road with pre-teen, twin town boys

revisiting ranch repairs and guns, dubbed
‘Wrangler’ and ‘Straus’, one left and one right-handed
when they shoot, serve drinks to us all

as the fire licks fresh vegetables and swordfish
from the coast. Both love to eat, but lefty
writes poetry, listening to every word I say.

BACKCOUNTRY WAY

                               We were following a long river into the mountains.
                                                  – Gary Snyder (“Journeys”)

On the outskirts of the backcountry,
the foothill hem of the Great
                                                            Western Divide
we head upstream, drifting closer to
                                                            the Kaweahs
where the Big Arroyo falls to the other side.

Ko said, “Now we have come to where we die.”

                    How many aged, hip shot horses finally look up
                    from dreams, asleep on their feet, not wanting
                    to wake into our fenced realities, recalled
                    to mountain meadows fed by Sierra lakes
                    and snowmelt? We saved her once, fallen
                    off the High Sierra Trail, but Jane escaped
                    and stayed the winter on the Big Arroyo
                    with only scattered bones to show.

We become the animals that have taught us
how to forage and gather for the future,
the fang and claw of predator and prey—
we relearn the language and how to think.
We hold no fear of death.

Two young black cows, calves trailing
a long steep bluff of trees and rock
to the sound of my Kubota with alfalfa,
a flat spot in a short canyon cove I own
where I’ve never fed before. Here
I am the interloper without a history.
A gray Prairie Falcon glides low
overhead, treads air to inspect me
in his territory, falls to perch on a clod
for another perspective as the cows eat,
then returns to the top of his oak tree.

When I was a boy, I might have shot him
for a closer look, like Audubon inspecting
the feathers of his handlebar moustache.

                    But now he is my totem,
                    both on journeys upstream—
                    “This is the way
                    to the backcountry.”

                                                  For Sylvia and Matthew

TRICKY TRADEOFFS AT HALLOWEEN

The earth sinks at the middle spring,
at the fairly flat and brushy head
of Ridenhour Canyon, huge Blue Oaks
and gooseberries covering forgotten
gossip rocks. I think of Effie riding
her white horse, string of ‘wolves’
beside her cattle following at a walk—

me on the Kubota, salt and mineral,
backtracking for my lost hay hook hung
on the flatbed rail to disengage Spencer’s
trailer backed beneath the pickup hitch
to transfer bales he borrowed for
his daughter’s party—lighter trailer rising
as the loaded feed truck bears down.

Gulf War veteran, he’s had a key since
he was sixteen, goes where he wants,
grins with canine teeth as he talks coyotes,
calls them in for instant death. A silhouette
at rest in the shade of gray chemise,
the bunch behind me, rises in my scope.
Mangy old dog down, forever relieved.

As they regard him crossways in their track,
a tall Brangus turns to search the manzanita,
ears flicking, another leaving I never see
though I comb hillsides clear to the corrals.
Ahead, bawling cows tuck two more tails, chase
chuckling tongues over year-old shoulders.
One down, but one slips off before I head to

Effie’s cabin, cows and calves come to salt,
hope for hay, survey and study another
nosing leaves beneath an oak on Wuknaw ridge,
animals’ rock circle—Yokuts Creation Place.
Three for three, cow dogs living with cattle,
waiting for the mother of the latest calf
to go to water. Haven’t found my hay hook, yet.