Category Archives: Poems 2012

TRICKY TRADEOFFS AT HALLOWEEN

The earth sinks at the middle spring,
at the fairly flat and brushy head
of Ridenhour Canyon, huge Blue Oaks
and gooseberries covering forgotten
gossip rocks. I think of Effie riding
her white horse, string of ‘wolves’
beside her cattle following at a walk—

me on the Kubota, salt and mineral,
backtracking for my lost hay hook hung
on the flatbed rail to disengage Spencer’s
trailer backed beneath the pickup hitch
to transfer bales he borrowed for
his daughter’s party—lighter trailer rising
as the loaded feed truck bears down.

Gulf War veteran, he’s had a key since
he was sixteen, goes where he wants,
grins with canine teeth as he talks coyotes,
calls them in for instant death. A silhouette
at rest in the shade of gray chemise,
the bunch behind me, rises in my scope.
Mangy old dog down, forever relieved.

As they regard him crossways in their track,
a tall Brangus turns to search the manzanita,
ears flicking, another leaving I never see
though I comb hillsides clear to the corrals.
Ahead, bawling cows tuck two more tails, chase
chuckling tongues over year-old shoulders.
One down, but one slips off before I head to

Effie’s cabin, cows and calves come to salt,
hope for hay, survey and study another
nosing leaves beneath an oak on Wuknaw ridge,
animals’ rock circle—Yokuts Creation Place.
Three for three, cow dogs living with cattle,
waiting for the mother of the latest calf
to go to water. Haven’t found my hay hook, yet.

RURAL ARCHITECTURE

With a little luck, we become
a third person consumed with
plugging holes with acorns—

all sizes, an art perfected
in the fall, each picked ripe
from the tree. Of course,

there’s bickering for the prize,
flapping feathers in the oak—
but come the winter’s wet and cold,

who’s to say who filled the hole
in the post that holds the gate,
that keeps the barn upright?

MAKE IT RICH

                    I arrived by air, by the light
                    of a million stars.

                                        – Quinton Duval (“The Aviator”)

Outside the day begins with dependable shoes,
a mental checklist wider now with lower heel
to meet uneven ground—each day another chance

to see a world surviving with damn few
humans in it. Perhaps a reverie at work, yet
unfurling, with so many eyes to see through.

‘Make it rich,’ Hal Spear said, early-on, each
moment open and elastic to fill the emptiness,
to jettison useless cargo. It works like a dream.

JUDGE JUDY

Our slice of earth, cobalt blue
beneath a dawning, loose clouds
pink as my mother’s nightgown.

Quiet in the canyon, calves
impressed in beds against
thin maternal dreams of hay.

It will not rain soon, but
it’s beautiful and cool
before we stir our dust—

hooves and wheels, a boiling
shroud for blatant bawling
deep within the turmoil,

big-eyed and insistent,
they plead not guilty.
Who is responsible

for feeding the world
what it needs, who cannot
go back to sleep?

The camera crews are ready.
Judge Judy has arrived.
All the cows are in their pews.

NEARBY, PETROGLYPHS

Certain rocks draw the eye
and speak a single word
we never learned—too far
removed from survival,
too addicted to science
searching to soothe us,
to accept as truth—
we have convenient homes
furnished in our minds.

Not far, a young boy sweats
behind deer skins hung
from a granite cave
where two boulders rest,
ceiling black with soot—
left to his naked self
in these rocks,
beneath this sky,
that speak.

I remember the first time
it caught in my throat—
a gasp, up close, looming
above me—white-faced
cows and calves winding by.
I am yet not old enough
to stay and stare too long,
to learn another language.

GOOD HABITS

                           I dress first putting on my socks,
                           Then my shirt—I need good habits.

                                               – Gary Soto (“Dr. Freud, Please”)

I never understood what drove him
to irrigate his grapes at sixty-eight.
We could set our watches to the minute

he passed by, mouthing new soliloquies
as another summer morning broke
in the shadow of the Sierras, or

at the end of vine rows, hoe in hand
at dusk, a silhouette with swashbuckling
overshoes titling at time, when

he could have paid a good man well
to do the job—until recently. Of all
the things I claimed I’d never be

like my father, I wear trails in the dirt
checking calves that don’t need me,
lest I forget my way—carving circles

in dreams that wake me to write
about how we got the harvest in the shed—
my young Gary Soto days bent beneath

a hazy San Joaquin Valley sun. Even
the old dog marks a track to encircle
the house and barks into the night.

HIGHLANDS

Another moment of silence
spaced in the whir and clatter
of life’s production, of
what we could be yet—
a chance between chapters
to rewrite the script, choose
the road to our homeland.

Like dawn’s long pause
after the first good rain,
old grasses moldering—
when all the normal birds
sleep-in and quiet rises
from the damp, rich earth.
We try again and start over.

BLUE BOTTLE OF HOPE

                                        A stumblebum in scree.
                                                            – James Galvin (“The Heart”)

We write poetry, yet there are no rules,
no maps, no guarantees on our circumambulation
of loose time stacked, moment upon moment with

a stray epiphany. Traversing the fractured granite
boulders big as hay bales in Dead Man’s Canyon
to fish upstream, I found an old blue bottle

intact, placed it upon a rock for my way back
to camp on Roaring River nearly forty years ago.
The blue upon the speckled gray was like a beacon

that I forgot casting down the other side. The heart
is like that in the mountains, always leaping ahead,
easily sidetracked by reason. Surely someone

found and packed it home full of memories, perhaps
even placed it on the mantle above their fire—
my fragile blue bottle of hope for all I cannot see.

GODS IN THE KITCHEN

They’ve turned the heat up in October,
a few ambitious gods returning to the fire
to bake one last dessert sprinkled with acorn

crumbles for the quail—shook the oak tree
like a bear before the feed truck groaned uphill
for cows and babies hoping for relief. Top notches

bobbing in the road stir the Cooper’s Hawk to leap
and glide, a silent missile in and out of shadows.
Three rows of two stacked on edge ahead of six

flat butterflied, then capped and tied by three
more: twenty-two bales twice, engineered
for the short bed in the shower. Everyone

is on the acorns. Feral hogs and deer, first calvers,
bulls, next year’s heifers—even the saddlehorses
prune the blue oaks, woodpeckers having filled

every crack and bullet hole with a bumper crop,
ready for a hard winter. Jars of cerise pomegranate
jelly put up on the counter, it’s feeding time.

Ferruginous Hawk (Buteo regalis)

October 16, 2012

 

FERRUGINOUS HAWK

I round the rock pile bend in the dirt road
where he waits atop a different oak tree
than yesterday, checking heifers calving

on uneven ground. He lets me try again:
a bigger lens to capture his assurance
as I edge closer, slower than a cow

but easier than a bobcat in squirrel town.
He knows me better than I know him
Googling photographs of hawks. Come

for a warmer winter than Alberta, he
owns the sky and the short-cropped flats—
pile of pigeon feathers in the horse lot.

                                                            for Dave