Tag Archives: Drought

JUST A THOUGHT

 

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Never really green with grass,
the south slopes tried to hide the clay,
standing naked in underwear

these past three years. Too late for rain,
precursor clouds let their shadows run
up canyon walls on gusts that stir

our dry flesh, that lift the hair—
each excited follicle reaching
to dance with the thought of rain.

 

APRIL 2, 2015

 

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Thirty days ago we hoped
for a better spring,
for clouds to rain us
back to normal
as we looked down
Ridenhour Canyon
to Dry Creek Road—
to the orchards
of Lemon Cove.

Hills now brittle and brown,
last year’s dead oak skeletons
have company, naked
as the Kaweahs—tilted
granite rock without snow.

Corporate Ag without water
drills wells to hell—
spending billions
into the Pleistocene
to hasten the conclusion
of farming the San Joaquin.

We had hoped for a better spring,
another month of rain and green,
creeks and rivers overflowing,
flooding Valley towns.

 

AFTER RAIN 2

 

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Dawn’s soft light steaming,
rain’s last embrace still clinging,
love spent overnight.

 

 

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Drought: Blue Oaks

 

March 24, 2015

March 24, 2015

 

The impact of three years of drought on the Blue Oaks shows up well as the trees that have survived begin to leaf out. (Click to enlarge) These Blue Oaks are across the creek from our house, on a north slope at the 1,200-foot elevation. No rain in sight, the grass has turned 30 days earlier than normal as we prepare to head into an early summer.

 

ON THE OTHER SIDE OF THE DOOR

 

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Hollow pipe songs at first light
pierce the darkness, own the dawn
with answered calls from oak trees

and granite piles of fractured rock
balanced on the edge of time
frozen around me. Early morning

solos grow into a chorus of chants
on the other side of the door,
a primitive awakening to greet me,

to ignore my circle of chores.
We’ve become part of the landscape
they return to, generations born

near cattle, horses and water troughs.
After these dry years, a colony—
a reunion of Roadrunners nesting.

 

RAISONS D’ÊTRE

 

                                       Now in the quiet I stand
                                       and look at her a long time, glad
                                       to have recovered what is lost
                                       in the exchange of something for money.

                                            – Wendell Berry (“The Sorrel Filly”)

Looming closer, a swirling darkness just beyond
the thought of summer’s water that is not
frozen deep in the Sierras to feed our rivers

and canyon leaks—of brittle fall and cattle
gathered at an empty trough. The creek dries back
and sinks in March, lifted to new canopies

of sycamores dressing. Skeletons of old oaks
stand out between greening survivors, some
wearing only clumps of yellow mistletoe

hanging like reasons, raisons—like raisins
clinging to a leafless vine. Each season
spins the same dry song, yet we find our place,

harmonize and sing along, lifted like precious
moisture to tender leaves, a basic ascension not
available in the big box stores, unrecorded

in the history of our presence. This may be
the new normal for old people—that daze
of amazement we have been working towards.

 

TIME TO LOVE

 

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                                                                                                    Gail Steiger

 

Two months from Elko
busy branding calves,
begging for rain and grass,

we listen under an empty
overcast to “A Matter
of Believin’” as if Gail

were here with 100 years
of ranching lessons
in poetry and song.

South slopes all but done,
thin feed gray on clay
showing again,

it’s time to love
this short spring
wrapped in wildflowers

with our old friend
and glass of wine—
the whole show

mostly behind us now,
we indulge ourselves,
embrace the storms

of good fortune
we have worn well—
believing and trusting,

adapting like cattle
to these same hills
just harvesting grass.

 

TIME CHANGE

 

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Early yet in an early spring,
growing patches, orange-gold,
claim open slopes like flames,

Fiddleneck between gray skeletons
of Blue Oaks pushing bud,
feathery translucent leaves

where the gods walk ridges,
wave hands to paint,
adding color to hillside green

we’ve not seen tall in years.
Out of dust and naked dirt,
new mosaics, lush with moments,

openings for everything put off
in drouth—real work we absorb,
take our sweet time to recognize.

 

 

WPC(2) — “Orange”

 

RAIN IN THE GROUND

 

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Perfect for early bloomers,
Fiddleneck, White-veined Mallow,
London Rockets pale the pasture.

Rain in the ground, thick Filaree
overreaches like loose-fringed
lettuce for more—more of the same.

Grass ahead of the cattle, it’s war—
every seed battling for real estate,
real dirt damp, for sun and rain,

green hills puddled with spilt paint.
Everything perfect on it’s own, yet
I fret with the brittle momentum

of lean, dry years—months of dust
and hay—a hard pace that interferes
with becoming forgiving as this ground

exploding in all the colors of rain.
Desperately, I reach through
early morning black for light.

 

SPRING DAWN 2015

 

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Just short of heaven,
dust and ashes come alive
to color hillsides.

 

 

WPC — “Reward”